Frankenstein’s Monster takes a holiday to discover herself.
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2023
‘American Fiction’ is a refutation of any kind of performative art that claims to serve something or someone without listening to them.
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‘Ferrari’ is a mixed bag of uneven performances arranged by a casting department without an atlas and a script without a compass.
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Cooper throws the whole bag of awards season tricks at the wall in ‘Maestro,’ sacrificing visual and thematic cohesion to the artistic shotgun approach.
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Haunting, stark, and honest in ways that movies rarely dare to be, ‘The Zone of Interest’ is as merciless as its featured characters.
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Sophie Williams has treated us to a vivid, personal week of Miyazaki retrospectives, capped off with a lovely review of ‘The Boy and the Heron.’
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Disney’s 100th Wish comes to life! But is the magic there?
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The Capital is hungry for more, and a prequel at that!
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The Trolls get the band back together and the results are better than you might think.
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‘Rustin’ is a fitting, though sometimes uneven, tribute to a man more than worthy of some credit for his work behind history’s curtain.
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Spending Christmas with the ones you absolutely hate! Bring on good tidings.
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A fragment of a good idea burdened by a lack of company, ‘Screwdriver’ has only one storytelling move and little else to support even that.
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Priscilla Presley’s story of how a teenage girl fell in love with one of the biggest celebrities ever comes alive.
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‘Divinity’ is an organized collision of bad choices and even worse execution.
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After a record-selling sold out tour, Taylor Swift hits the BIG screen and doesn’t disappoint.
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