Reviews

‘Ferrari’ is a mixed bag of uneven performances arranged by a casting department without an atlas and a script without a compass.

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Cooper throws the whole bag of awards season tricks at the wall in ‘Maestro,’ sacrificing visual and thematic cohesion to the artistic shotgun approach.

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Haunting, stark, and honest in ways that movies rarely dare to be, ‘The Zone of Interest’ is as merciless as its featured characters.

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Disney’s 100th Wish comes to life! But is the magic there?

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The Capital is hungry for more, and a prequel at that!

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The Trolls get the band back together and the results are better than you might think.

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‘Rustin’ is a fitting, though sometimes uneven, tribute to a man more than worthy of some credit for his work behind history’s curtain.

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Spending Christmas with the ones you absolutely hate! Bring on good tidings.

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A fragment of a good idea burdened by a lack of company, ‘Screwdriver’ has only one storytelling move and little else to support even that.

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Priscilla Presley’s story of how a teenage girl fell in love with one of the biggest celebrities ever comes alive.

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‘Divinity’ is an organized collision of bad choices and even worse execution.

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‘Five Nights at Freddy’s’ delivers fan delight, but it’s PG-13 rating and odd origins make it kind of weird for the rest of us.

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After a record-selling sold out tour, Taylor Swift hits the BIG screen and doesn’t disappoint.

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It looks good and is stocked with quality performances, yet nothing about She Came to Me comes across as relatable or actionable.

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An interesting idea with good intentions smothered by clichéd writing and sophomoric directing, Miranda’s Victim is a clinic in telling vs. showing.

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