Wild Salomé is a meditation on obsession, both in its subject, but also by way of the form of artistic expression itself.
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Warren Cantrell
A political farce of the highest caliber, ‘The Death of Stalin’ is equal parts funny and terrifying.
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Now playing at Screenland at Tapcade, this twisted Lolita-ish neo-noir stars Sophie Turner from ‘Game of Thrones.’
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‘The Forgiven’ adds up to a disjointed, confused, technically deficient movie with uneven acting laid over subject matter that leaves little room for error.
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Opening Friday, Nostalgia is an assembled collection of self-important, thousand-yard-stare monologues is a sophomoric meditation on the fleeting nature of existence.
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A bad movie with a lot of heart and a good message, Half Magic is a harmless fable about modern, professional women trying to thrive in a man’s world.
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A lazy collection of clichés with almost no personality and even less of a reason to exist, ’7 Guardians of the Tomb’ is a movie without a soul.
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Opening this Friday in limited theatrical release and simultaneously on VOD, Poop Talk is a funny exploration of what it means to be a functioning creature on planet Earth that has to excrete something for everything it takes in.
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Opening tomorrow at the Screenland at Tapcade, Still/Born is just what you’d expect from an indie horror-thriller opening in February. It’s interesting, engaging, a little bit terrifying, and a lot bit suspenseful.
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Opening today at the Screenland Crossroads at Tapcade, Vazante is an interesting movie directed by a deliberate, thoughtful filmmaker with something to say.
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This Scott Cooper western starring Christian Bale grapples with themes of post-war reconciliation, genocide, honor, and transcending notions of “other.”
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Phantom Thread oozes purpose with each scrap of its being, and represents some of the best work of Paul Thomas Anderson’s career (and some of the funniest).
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An accessible neo-noir with an all-star cast of reliable character actors, Small Town Crime is a fun watch, even if it never quite overcomes the formulaic elements cemented into its foundation
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The right movie for the right moment directed by the right man at the wrong time, The Post has a lot of interesting things to say, yet often gets in the way of itself when trying to say them.
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She might not have the expensive clothes and refined tastes of the other skaters, but her attitude, bearing, and the company she keeps is what will ultimately sink her. The question then becomes one of fate, and whether Tonya Harding ever really had a chance.
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