The father of the atomic bomb has an existential and moral crisis.
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Emily Blunt
‘Oppenheimer’ continues Nolan’s streak of exceptional movie production.
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‘A Quiet Place Part II’ is a smart, taut, character-driven, and thematically integrated film that accomplishes everything it sets out to do.
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Light, refreshing, optimistic, and altogether lovely, ‘Mary Poppins Returns’ is everything a fan of the original could hope for.
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A witch tasks a childless baker and his wife with procuring magical items from classic fairy tales to reverse the curse put on their family tree.
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Tom Cruise has to relive the same hellish alien invasion over and over again in Edge Of Tomorrow, the latest sci-fi/action offering from director Doug Liman and a writing team that includes Cruise’s current collaborator Christopher McQuarrie.
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Trevan and Trey discuss the surprisingly touching The Fault In Our Stars before moving on to the latest Tom Cruise vehicle Edge Of Tomorrow. Then, they move on to time travel in general as a narrative mechanic in film and highlight some examples of movies that use it well. If you don’t already, please Like us on Facebook. […]
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The movie isn’t very scary, but it does pile a bunch of really tasteless twists on towards the end that make no sense and it almost becomes a comedy.
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If you’re looking to rent a new action movie or a romantic comedy this weekend, you might want to watch/read this first.
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Eric tackles The Five-Year Engagement, the latest from Jason Segel and Nicholas Stoller. Meanwhile, Trey watches The Pirates! Band of Misfits and [spoiler alert] doesn’t hate it! Trevan asks questions and makes snap judgments. Subscribe to The Scene-Stealers Podcast on iTunes or our RSS.
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Thanks to a sincere script and a layered performance from Jason Segel, ‘The Five-Year Engagement’ believes wholeheartedly in actual romance — which I think is a concept that romantic comedies often “say” they support, but rarely have the chops to back it up.
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Fresh off of seeing Wrath Of The Titans, Trevan and Eric unleash a Kraken of rage on this unnecessary and unwarranted sequel. Meanwhile Trey struggles to come up with a single memorable thing about Salmon Fishing In The Yemen and comes away with a pretty hilarious homage to 24. Lastly, and on a much sadder note, Trevan reads racist […]
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How does a film, which has a critically lauded director, an Academy Award winning writer, and a handful of very talented British actors and actresses, fizzle to a thin and mediocre flatness? ‘Salmon Fishing in the Yemen’ is a how-to guide.
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