paul dano

Steven Spielberg finally tells his story in the family drama “The Fabelmans.”

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‘The Batman’ is a mixed bag, and too often forgets what makes its eponymous superhero so interesting in the first place.

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A micro-exploration of a family’s disintegration, Paul Dano’s ‘Wildlife’ is a study in love, regret, and the all-too-rapid advance from adolescence into adulthood. It also gets the dreaded Swiss Fist rating: complete neutrality.

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Swiss Army Man, is a mix of silly, wildly imaginative and emotionally moving. It’s a strong first feature from DANIELS and stars Daniel Radcliffe and Paul Dano.

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Although there are discernible arcs and some level of growth for a few of the characters, ‘Youth’ is all so on-the-nose and force-fed that the whole affair comes off as decidedly manufactured and plastic.

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Whether you are new to Brian Wilson’s story or you are looking for an excuse to pull out your Pet Sounds vinyl, Love & Mercy is a well-crafted ode to an inspirational figure, and an entertaining and well-acted film.

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A writer brings a character to life out of thin air and a boy begins to learn the secret of his family after a strange spider bite in two movies new out on DVD and Blu-ray this week.

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Besides a challenging time-travel premise, a dark sense of humor, and some thrilling action scenes, Looper has the kind emotional weight that you wouldn’t expect.

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Zoe Kazan (also playing Ruby) wrote ‘Ruby Sparks’ straying away from being a strictly formulated cutesie romantic comedy. When one thinks about it, being able to control a person by conveying their actions into a typewriter is rather dark. It is with this darkness that Kazan weaves the story into something that sucks the viewer in.

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It’s the dog days of summer as we talk about three movies that round out the summer movie season.

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“How could guys like us worry about a tiny little thing like the sun?” The bracing melancholy of childhood is an underrepresented phenomenon in popular entertainment. By and large, children’s films prefer to coast by, parading antiquated, uninteresting archetypes and reducing all conflict to clinical action sequences devoid of substance or originality (see: Tim Burton’s […]

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