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Based on the comic of the same name, Ryan Reynolds and Jeff Bridges star in this amusing tale of undead cops working for the Rest In Peace Department.

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Red 2 may have some fun moments, but the trainwreck of a sequel simply can’t hold enough good scenes together to keep the film from floundering through most of its nearly two-hour running time.

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‘A Hijacking’ is a fictional film that hits both with blunt force and a surprising amount of complexity, built around two sides of a terrifying conflict—the hijacking of a cargo ship in the Indian Ocean by Somali pirates.

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‘The Conjuring’ very much feels like a 1970s horror film, before slashers were haunting teenage dreams and well before found footage became the way to make a story feel real.

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Turbo is a cute, fun, and mostly entertaining 96-minute story about chasing impossible dreams and the complicated relationships between brothers that’s likely to please — but not wow — the whole family.

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For those who are hardcore about their kaiju consumption Guillermo del Toro‘s Pacific Rim is not perfect, but for those who are looking for a fun and thoughtful summer movie with more character than most, Pacific Rim should do the trick in a big way.

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Israeli director Rama Burshtein’s debut is filled with plenty of quality performances and solid writing that almost over come the films distracting stylistic devices.

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In all, The Lone Ranger is a mixed bag, but it really just needs an edit and a decisive tone. Had it been 30 or 45 minutes shorter and more focused, it would have been a different film entirely.

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The movie is so phenomenally average and uninspired, if you didn’t know it was behind the same people who did Bridesmaids you would assume it was done by a different, less talented group of people.

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Where ‘Olympus Has Fallen’ struggled to be Michael Bay-style action porn, director Roland Emmerich’s movie has a far better sense of humor and an understanding of the complete ridiculousness of its entire premise. Don’t get me wrong, the movie is dumb as dirt at times, but at least it knows this.

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How much do you love Animal House? I ask because the team behind Monsters University obviously holds it high regard. Over the years everything from Sydney White to Futurama has aped the story of rival fraternities battling it out on a college campus. Now it’s Pixar’s turn.

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As we watch Sofia Coppola‘s The Bling Ring we should be horrified at what we see, and know that there is no end in sight.

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Had Much Ado About Nothing come from a young director just beginning their career, it would seem an exciting, yet flawed introduction. Coming from Joss Whedon, one of the biggest and most established directors of our time, it seems stupid.

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There is an investigative aspect to the movie for sure, where Pitt and what is left of the American military and leadership explore options and hunches, but World War Z gets most of its mileage out of first-person danger. How would you react if fast-moving zombies were suddenly swarming you? What split-second decisions would you make?

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Scene-Stealers’ west-coast correspondent, Warren Cantrell, has been largely silent since his last SIFF 2013 dispatch. It should be noted that this is due in large part to the trauma he endured during that Film Festival’s screening of The Bling Ring: a movie that threw Mr. Cantrell into a frozen state of petrified shock from which the man is only just now beginning to emerge.

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