Edgar Wright reunites with Simon Pegg and Nick Frost for an amusing movie about old friends, a robot invasion, and lots and lots of beer.
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Print Reviews
Ashton Kutcher stars in this biopic that celebrates the life of Steve Jobs and the creation of Apple Computers.
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Despite it’s title and a multitude of super-heroes and super-villains, the sequel fails to kick as much ass as the original.
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Blackfish, the documentary from director/co-writer Gabriela Cowperthwaite contains a simple truth that it spends its 83-minute runtime explaining, evaluating and returning to over and over again – keeping majestic, powerful creatures in captivity for interactive entertainment is wrong.
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Impeccable direction and a host of amazing performances make The Hunt one the best films of the year so far.
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Prince Avalanche brings together immense talent in all departments, and it is a strong step in the right direction for David Gordon Green. It is a terrific film that will ultimately be seen by very few people, but is well worth your time.
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Matt Damon stars in Neil Blomkamp’s latest dystopian Sci-Fi epic, but does Elysium have anything new to say?
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Jason Sudeikis, Jennifer Aniston, and Emma Roberts set out together in this uneven comedy about a fake family’s drug smuggling road trip.
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Percy Jackson returns for yet another underwhelming mythological adventure.
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The Canyons, a sex-driven thriller written by Bret Easton Ellis, the writer who penned American Psycho, and directed by Paul Schrader, the writer of Taxi Driver and Raging Bull, might just be worth watching.
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V/H/S/2’s attempt to try and provide an overarching narrative that proves to be its biggest downfall, for two reasons. First, the multiple parts that make up this connective short film are easily the worst of this anthology. The second reason is that these “found VHS tapes” obviously don’t exist in the same universe.
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There’s a big difference between what should be funny and what’s actually funny.
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Listen to Eric Melin and I argue about The Wolverine on Scene-Stealers Podcast #100. Hugh Jackman reprises the titular role that made him famous in The Wolverine, a movie that is simultaneously hampered by being forced to acknowledge the X-films that came before it, and helped by largely divorcing itself from the X-universe and telling its […]
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I know that there are very few people I could recommend Only God Forgives to, but I believe that it shows excellent craft and intentionality. It has forced me to ponder fruitfully topics I would normally avoid.
Be warned, Only God Forgives is for the emotionally and gastronomically stalwart. It is one of the best films I cannot, with a clear conscience, encourage others to see.
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Nicolas Winding Refn’s newest pairing with Ryan Gosling is a step in the wrong direction.
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