‘The Burning Sea’ matches the scope and vibe of its Norwegian disaster film predecessors while not quite clearing the same bar on quality.
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Warren Cantrell
‘Big Gold Brick’ suffers from an unsympathetic, emotionally frantic lead and about six-too-many subplots within a broader story that can’t manage them.
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Oscar nominations included interesting contenders and more than a few head-scratchers even the most seasoned minds at Scene-Stealers can’t quite explain.
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‘Jackass Forever’ somehow remains timely, side-splittingly funny, and absolutely, 100% essential.
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Narratively rich and stocked with complex characters played by actors at the top of their games, ‘Parallel Mothers’ is as fascinating as it is moving.
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‘Dawn Raid’ offers up a slick, interesting, and engaging floor-model documentary that does all the expected things, yet does them exceptionally well.
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Plagued with a main character problem and some clunky exposition, the sum of the parts for ‘See For Me’ amounts to a surprisingly good time.
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‘Spider-Man: No Way Home’ offers a satisfying endcap to not just Holland’s trilogy, but for the Spider-Man character writ large.
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‘Don’t Look Up’ hits too close to the COVID mark, inviting its audience to live in a fictional hell only slightly worse than their reality.
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‘Macbeth’ is built like some kind of cinematic fantasy sports lineup and executed with all of the ease of an all-star team playing a no-pads scrimmage.
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‘The Beta Test’ is a peek behind the showbiz curtain, looking less at the product and more at the obsolete machinery struggling to churn it out.
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An interesting if somewhat under-baked story with captivating imagery and unparalleled needle-drops, ‘Last Night in Soho’ is decent if unspectacular.
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Exciting, interesting, transportive, and seemingly pulled straight out of the mind of Frank Herbert, ‘Dune’ is the sci-fi experience of the season, and the movie fans of the book deserve.
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This ‘Sopranos’ movie prequel maintains the texture and voice of the groundbreaking show while never achieving its character or story depth.
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‘The Eyes of Tammy Faye’ showcases the best performances of its leads’ careers, utterly wasting them on branded image propaganda.
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