‘American Fiction’ is a refutation of any kind of performative art that claims to serve something or someone without listening to them.
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‘American Fiction’ is a refutation of any kind of performative art that claims to serve something or someone without listening to them.
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‘Ferrari’ is a mixed bag of uneven performances arranged by a casting department without an atlas and a script without a compass.
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Cooper throws the whole bag of awards season tricks at the wall in ‘Maestro,’ sacrificing visual and thematic cohesion to the artistic shotgun approach.
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Haunting, stark, and honest in ways that movies rarely dare to be, ‘The Zone of Interest’ is as merciless as its featured characters.
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Sophie Williams has treated us to a vivid, personal week of Miyazaki retrospectives, capped off with a lovely review of ‘The Boy and the Heron.’
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