A touching tribute to a true titan of American theatre, ‘Every Act of Life’ is a fine documentary whose only real failing is a reluctance to challenge its subject or the viewer.
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May 2018
‘The Rider’ is a slow trot through broken dreams resolved by hope and friendship.
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‘Return to Mount Kennedy’ simultaneously finds a way to relay an old story about American royalty while fleshing out one man’s journey to reinvent himself and reconcile the self-harvested demons of his past.
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The best—and worst thing—you can say about Solo: A Star Wars Story is that it is a fun throwback.
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Thematically inconsistent at times, there’s two portions of ‘Afghan Cycles’: both of them considerate, important, and very well made.
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‘Sadie’ is a film about a small community whose children are a litmus test for a bigger world moving in a dark direction.
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In ‘Disobedience’ two Rachels, Weisz and McAdams, find themselves in a forbidden romance that test their communities religious morals.
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‘The Russian Five’ is an engaging peek behind professional hockey’s iron curtain, and is stocked full of laughs, tears, blood, and stitches.
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A half-Woke fever-dream populated by big ideas and half-finished epiphanies, ‘Bodied’ is a bad film with a lot of good ideas.
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The affecting drama ‘After the War’ kicks off our coverage of the 2018 Seattle International Film Festival (SIFF).
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Housing the look, feel, and story beats of a noir mystery thriller, ‘Terminal’ fails to capture any of the magic or narrative elements that propel these stories to greatness.
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The Week Of is a messy patchwork of a movie that is tonally all over the map and way overstays its 116 minutes.
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