‘F9: The Fast Saga’ finds new ways to be ridiculously absurd, insanely illogical and annoyingly fun as hell to watch.
{ Comments on this entry are closed }
Movie Review
Yes, there are human beings in ‘Godzilla vs. Kong,’ but they matter very little in comparison to everything else that happens during the epic showdown of these two legendary Titans.
{ Comments on this entry are closed }
[Rating: Solid Rock Fist Up] Available now on the Arrow Player streaming service. “We all want what we don’t have…” That line perfectly summarizes everything in The Stylist. It tells a tale about a lonely, unassertive Midwestern hairdresser (Najarra Townsend) who tries to balance her unstable fascination with other women’s hairstyles by scalping the heads of her […]
{ Comments on this entry are closed }
This distasteful witch trial horror offering from Neil Marshall has a heavy-handed tone, clunky dialogue, and a refusal to concede to the realities of basic human physiology.
{ Comments on this entry are closed }
Were it not for the fact that it’s drenched in violence, blood, and assorted alien fluids, the heart of ‘Psycho Goreman’ makes it charming enough to watch with your kids.
{ Comments on this entry are closed }
It’s great to see that the rockers featured in the documentary really seem to enjoy getting to interact with fans on this level, where they’re kinda / sorta peers, but even those interviews come across more as advertising fodder for the camp, rather than digging deeply into what it means for them personally.
{ Comments on this entry are closed }
‘Class Action Park’ is tonally all over the place, but ultimately an entertaining doc on an unusual subject.
{ Comments on this entry are closed }
‘Unhinged’ is a 2020 American thriller that follows a young woman who is harassed by a seemingly unstable stranger (Russell Crowe) following a road-rage incident.
{ Comments on this entry are closed }
This is a movie which could’ve been fun, but ‘Coven’ fails because it takes all of the tropes of the witch movie and only looks at the surface for its inspiration.
{ Comments on this entry are closed }
‘We Are Little Zombies,’ the debut from writer/director Makoto Nagahisa, is simultaneously nihilistic, adorable, and emotionally touching.
{ Comments on this entry are closed }
The scope of ‘Homewrecker’ might be narrow, but it results in an intense focus.
{ Comments on this entry are closed }
In the end, nothing is truly gained from watching this. I don’t see the point in timing this around the unofficial marijuana “holiday” of 4/20. This was more of a bad trip than anything else.
{ Comments on this entry are closed }
‘The Banker’ centers on two Black businessmen (Anthony Mackie and Samuel L. Jackson) in the 1950s as they attempt to build a real estate empire in Los Angeles.
{ Comments on this entry are closed }
‘The Way Back’ is a solid and entertaining flick even if it’s devoid of any true originality within the confines of the two genres it’s kicking around in.
{ Comments on this entry are closed }
‘The Wave’ is a visually impressive trip, but ultimately a very hollow experience.
{ Comments on this entry are closed }