Fantastic Fest 2010 has started and George Hickman is covering it for Scene-Stealers. His reviews of all the movies he can cram into one week will be published here until the genre-oriented film festival is over and his bloody fingers can type no more. “14 Blades” – Minor Rock Fist Up Fantastic Fest has begun […]
Where the spooky Swedish film “Let the Right One In” was set (like John Ajvide Lindqvist‘s novel) in an economically depressed apartment complex in early-80s Stockholm, the American remake “Let Me In” paints a similarly bleak picture, taking place in dreary suburban Los Alamos, New Mexico in 1983. Writer/director Matt Reeves (“Cloverfield”) goes further with […]
Here’s my video review of Ben Affleck‘s “The Town” from KTKA-49. Like his directorial debut “Gone Baby Gone” from three years ago, Ben Affleck’s newest movie “The Town” is a crime drama set in his hometown of Boston. More specifically, the Charlestown neighborhood—which has more bank robberies per capita than any other place in the […]
With the release of “I’m Still Here,” the mockumentary has officially come full circle. Actors have already played roles in documentary-style comedies (“This is Spinal Tap,” “Best in Show”), they’ve combined that format with real-life pranks (“Borat,” “Bruno”), and they’ve played fictional versions of themselves for laughs (“Curb Your Enthusiasm,” “Extras”). This time the performance […]
I must confess that when I first saw the trailer for “Easy A,” the literature nerd in me was thrilled. A teen comedy that takes on Nathaniel Hawthorne’s “The Scarlet Letter”? So down. I didn’t expect much of the movie—by which I mean I went in with no expectations of greatness—and while I don’t think […]
Here is Eric’s KTKA-49 review of “The American” starring George Clooney. His print review of the movie is right here: Movie Review: The American
Make no mistake: Just because Robert Rodriguez’s “Machete” revolves around timely issues like anti-immigrant xenophobia and Hispanic stereotyping doesn’t mean he gives them the respect and critical treatment they deserve. Instead, he does what any low-budget genre filmmaker worth his salt-covered wound did in the 1970s: He exploits the hell out them. “Machete” is the […]
Romantic comedies are far from my favorite genre. The cream of the crop are passable at best, and for the rest, well, just take a look at Kate Hudson’s filmography sometime. Perhaps it’s because the bar is set so low that Going the Distance finds a way to be a halfway decent, and at times […]
What makes “The American” work as a thriller is not what it shows, but what it leaves out. There are no flashbacks and there is very little talk about the past. In fact, the first time we meet George Clooney’s character, we have no context at all. He’s at a cabin in the woods in […]
Here’s Eric’s on-camera review of Robert Duvall and Bill Murray‘s “Get Low.” from ABC KTKA-49. His more in-depth print review of “Get Low” is right here.
I love heist flicks and I’m usually willing to cut them an awful lot of slack. On my DVD shelf alongside of “Heist,” “To Catch a Thief“, and “Sneakers,” I own copies of “The Newton Boys,” “How to Beat the High Co$t of Living” and “After the Sunset“. When a new heist flick comes along […]
Robert Duvall is an actor who can do stoic Southern characters in his sleep. He has always had a knack for playing the down-home philosopher who chooses his words carefully, and he’s as sturdy and subtle as ever in “Get Low,” a measured drama set in Depression-era Tennessee. Partially inspired by the true story of […]
Watch Eric’s review from ABC KTKA-49 above or check out his more detailed print review of “The Switch,” starring Jason Bateman and Jennifer Aniston.
What is it about space that so captures our imagination? Is it the vastness that seems to beckon, almost tease us, upward and outwards to explore its seemly endless wonders, or is it simply how it allows us another perspective in order to see how small and relatively unimportant one tiny blue dot is in […]