Both Whiplash and Nightcrawler are models of fast-paced, engaging storytelling that leaves a mark.
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Both Whiplash and Nightcrawler are models of fast-paced, engaging storytelling that leaves a mark.
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It’s no news to fans of the young-adult book series by Suzanne Collins that this third movie only covers a portion of her third novel, which is par for the course, I suppose, for a film that contains a both a colon and a hyphen in its title. But even in the Star Wars series, which now retroactively features the word “Episode” in each title, the films themselves had a form of resolution. Sometimes there were cliffhangers, sure, but the emotional journey and theme of each film were wrapped up by film’s end.
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In films like 21 Grams, Biutiful, and Babel, he revels in the misery of his characters and then contrives to make them even more miserable. Don’t get me wrong, there’s plenty of misery and pretentiousness in Birdman (which is subtitled The Unexpected Virtue of Ignorance) but its mostly psychosomatic—and often played for laughs, which is a new thing for Iñárritu.
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The ABCs of Death 2 moves quickly and most of it is ultimately very forgettable, but I still find myself drawn toward its desire to be different and truly artistic in its approach.
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Trevan and Trey welcome new contributor Will Findley before talking about Boyhood and Guardians of the Galaxy, two vastly different, but outstanding movies.
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The really great action movies are all about urgency—that life-and-death situation where the stakes couldn’t be any higher and the main character doesn’t have any other choice but to forge ahead.
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After a week off, Trevan and Trey are back to talk about Seth MacFarlane‘s new movie A Million Ways To Die In The West and then Trevan lets off some steam about X-Men: Days of Future Past. There’s a lot of time travel in this week’s podcast, so Huey Lewis seemed like an obvious choice for segue […]
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Another report from SIFF 2014! A Patriotic Man: The year is 1980, and members of Finland’s national ski team are looking for any advantage so that they might medal at the Olympics in Lake Placid.
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Director Bryan Singer returns to the franchise that defined much of his career with X-Men: Days of Future Past, an ambitious blockbuster that attempts to unite the characters from the original X-Men trilogy with the 2011 movie X-Men: First Class. It’s a sizable undertaking, to be sure, and while Singer does manage to keep the […]
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As sexually explicit as its trappings are and as absurd a story as it is, Nymphomaniac is an accomplished work from a provocateur with a distinct point of view.
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Starting this Friday the Tivoli is playing the documentary Finding Vivian Maier, which is a telling of director John Maloof’s discovery of an artist. Vivian Maier has quickly grown into an overnight Internet sensation within the public, but especially within the art community. Her images have been circulating through newspapers, Internet news feeds, and online image […]
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Trevan and Trey welcome the newest addition to the Scene Stealers family: syndicated film critic Peter Frend! After that, Chris Haghirian joins to talk about the Middle of the Map Fest, which starts April 3 and includes music, film and technology.
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Veronica Mars, Zac Efron and Seth Rogen, and more .. Here’s some capsule reviews from the SXSW Film Festival. More on the way!
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The tonally schizophrenic sci-fi actioner ‘Elysium’ and the unfunny mafia comedy ‘The Family’ arrive in Blu-ray-DVD combo packs, and at least one of them is still making an impression.
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Like most modern remakes, few of the character motivations remain ambiguous. It isn’t a deal-killer, but the script fills in too many of the blanks of the original with clearly drawn lines that lessen the film’s visceral impact.
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