A reimagining of a book into film can be forgiven for the cuts it makes, but it is the additions that hobble “Guillermo del Toro’s Frankenstein.”
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Frankenstein
Larry Fessenden’s ‘Depraved’ has its flaws, but the ways in which it succeeds are so marvelous and inventive, it’s worth looking past them to see a movie which manages to be fresh while treading very, very familiar ground.
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So we had a hell of a storm last week: one of the biggest, and most destructive in recent memory, at least for the region hardest hit. Indeed, it was the kind of squall that usually serves as the backdrop to some hellacious cinematic set piece, one where the picture’s heroes must navigate the pitfalls of the gods and men alike.
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