Cooper throws the whole bag of awards season tricks at the wall in ‘Maestro,’ sacrificing visual and thematic cohesion to the artistic shotgun approach.
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Cooper throws the whole bag of awards season tricks at the wall in ‘Maestro,’ sacrificing visual and thematic cohesion to the artistic shotgun approach.
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The downfall of a Hollywood powerhouse is detailed in ‘She Said.’
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‘Promising Young Woman’ is an exploration of sexual assault and accountability in a post-#MeToo era aware of the present yet largely foggy on the past.
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A micro-exploration of a family’s disintegration, Paul Dano’s ‘Wildlife’ is a study in love, regret, and the all-too-rapid advance from adolescence into adulthood. It also gets the dreaded Swiss Fist rating: complete neutrality.
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Joel and Ethan Coen return with their latest film Inside Llewyn Davis, which follows Llewyn Davis (Oscar Isaac), a brilliant folk musician, but miserable human who is struggling to live off of his music in New York in 1961.
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With his film version of The Great Gatsby, Baz Lurhmann creates a glittery and overstuffed adaptation that has all of the facts of the book right, while missing the skepticism and queries posed by it’s narrator and author.
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The latest from director Baz Luhrmann takes a much deserved beating this week.
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Out on DVD and Blu-ray this week is ‘Drive,’ one of the best and most surprising movies of 2011, and ‘To Kill A Mockingbird,’ digitally remastered and fully restored from its original 35mm film in a 50th Anniversary presentation.
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‘Shame’, director Steve McQueen’s sophomore feature, tells the story of Brandon, a New York advertising exec and sex addict, whose wayward sister, Sissy, threatens to destroy his world’s delicate balance.
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“Drive” is probably gonna piss off a lot of casual movie-goers.
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