[Rating: Minor Rock Fist Up] **EDITOR’S NOTE: This review was delayed due to our resident historian, Warren Cantrell, requiring oxygen and a steady application of sedatives following his screening of the picture.** A historical epic with little regard for history, The King is nonetheless an engaging medieval yarn stocked with beautiful people and quirky haircuts. […]
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Captain Marvel is a fun, sci-fi flick set in the retro 90’s of the MCU and serves as a solid intro for a character expected to carry the torch going forward.
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Ready Player One is packed with enough nostalgic, nerdgasm-enducing, magical pop culture goodies to forgive the uneven message and the one-dimensional, cliched characters.
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Rogue One is a fair to middling entrant into the Star Wars cinematic universe, because it cannot commit fully to its own intent, having the confidence that its new characters can win everyone over
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‘Killing Them Softly’ favors the character side of things way more heavily than plot. It’s all the more complex and interesting for it, but calling this movie a thriller at all is a bit of a stretch.
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It’s another week at the Scene-Stealers podcast and this week we’re discussing Killing Them Softly, Anna Karenina and Miami Connection – let’s not talk about Jack And Diane. Actually, we will, but it’s a figure of speech. Just listen to it. Subscribe to The Scene-Stealers Podcast on iTunes or our RSS.
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It’s been five years since writer/director Andrew Dominik made The Assassination of Jesse James By The Coward Robert Ford. And like that film, his newest offering, Killing Them Softly, is an allegory for the times we live in, and will likely be seen by no one. It’s also one of the best films of the year.
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