Misshapen, inert, and incomplete, ’28 Years Later’ feels like the bad first episode of a bigger story that’s only just getting started here.
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Alex Garland
Alex Garland’s ‘Men’ turns gender archetypes into thought-provoking body horror.
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Annihilation is fun to look at and shows signs of promise early on, but once the shine wears off, it’s clear there’s no substance below the surface.
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Ex Machina does what excellent science fiction always does. It uses the tenets of the genre to pose difficult questions about our human existence.
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