The sheer audacity of crafting a zombie film wherein the camera never stops rolling is impressive.
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2019
This crime drama, based on a New York magazine article, follows a group of strippers who con and drug rich men, who visit their club.
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‘Fiddler: A Miracle of Miracles’ explores one of the most important Broadway shows in history, ‘Fiddler on the Roof’ through its conception to its historic run on the Great White Way that brought with it a change to musical theater forever.
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Larry Fessenden’s ‘Depraved’ has its flaws, but the ways in which it succeeds are so marvelous and inventive, it’s worth looking past them to see a movie which manages to be fresh while treading very, very familiar ground.
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‘Official Secrets,’ a true story about a government whistleblower during the run-up to the 2003 Iraq War, is interesting if sometimes unfocused.
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Sheets’ gorefest doesn’t wink to its audience, which is a major plus for ‘Clownado.’ While its audience might be small, those who want to see the film won’t be disappointed. Other more casual fans might find it wanting.
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Director Issa Lopez’s dark fairy tale takes a look at the life of a group of young children trying to survive in Mexico city run by the cartel. Part fantasy, part drama, part realism, ‘Tigers Are Not Afraid’ is a viewing experience that will stick with audiences long after the ending credits roll.
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‘Ready or Not’ takes you favorite childhood game and turns it into a nightmare. Samara Weaving excels at playing an unlucky bride who tries to survive her wedding night gone to hell. The film is silly yet scary enough to impress both comedy and horror fans alike.
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[Rating: Swiss Fist] A good-natured attempt to humanize a very real monstrosity running rampant through the current hell-scape that is this cursed year of 2019, Hot Air doesn’t stumble so much as it breaks both legs and suffers a heart attack right out of the starting gate. Positioned as a biting satire of conservative opinion-making, […]
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There’s a great need for the occasional bright-eyed, positive-message bit of trash cinema that is ‘The VelociPastor.’
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‘The VelociPastor’ is all cheap thrills without the fun: proof that life doesn’t always “find a way.”
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‘The Nightingale’ has hit theaters and sparked much discussion due to its graphic nature. I spoke with the film’s lead actress Aisling Franciosi to find out what it was like playing such an intense character and what she deems the importance of the film.
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Three fine actresses are not enough to rule this mediocre drama.
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All told, Ode to Joy is a darn good time, making the most out of a wild premise without ever veering too far off into mockery or slapstick.
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Tilman Singer’s ‘Luz’ is a brilliant debut. It manages to be two things simultaneously. It’s most prominently the sort of film which makes you excited for the future with what it does on such a small budget and scale.
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