Written and directed by Stephen Chbosky, who adapted his own novel of the same name for the film, The Perks of Being a Wallflower centers around Charlie (Logan Lerman), an awkward, introverted high school freshman who has seen too much pain in his young life.
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The main draw of ‘The Oranges’ is it’s cast, and if all six of its main actors weren’t so inarguably appealing then this film just wouldn’t work.
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Frankenweenie ultimately proves that Burton was right to resurrect the project. You will believe a dog can fry.
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Mike Birbiglia, a stand-up comedian and frequent contributor to the outstanding radio program This American Life, adapts his autobiographical one-man show (which has been excerpted on THA) and 2010 novel Sleepwalk with Me and Other Painfully True Stories into a movie with one really great idea.
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All of the stories and line-up changes and drugs and alcohol abuse are recounted in My Career As A Jerk, and with minimal glossing-over.
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Fantastic Fest 2012 in Austin, TX just finished up and these are capsule reviews of ‘Vanishing Waves, ‘I Declare War,’ and ‘Crave,’ three of the biggest award winners.
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Cashing in on the success of Glee, Pitch Perfect takes viewers on the wacky ride of competitive a capella competition.
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Although Hotel Transylvania isn’t Tartakovsky’s creation, you can certainly see his fingerprints all over the film in a script he helped punch-up and his influence to push the movie towards a more high-energy animation style resembling Tex Avery’s classic cartoons.
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Fantastic Fest 2012 is happening now in Austin, TX and these are capsule reviews of films I’ve seen so far.
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In the new indie documentary ‘The American Scream,’ director Michael Paul Stephenson ‘(Best Worst Movie’) profiles three home haunters at different levels of obsession in the small town of Fairhaven, Massachusetts.
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‘The Conspiracy’ shifts focus in its third act to a truly frightening riff on found-footage horror movies, and deftly comments on the filmmaking process and the unreliable narrator phenoma.
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Here are some capsule movie reviews of the phallic documentary The Final Member and the vulgar comedy New Kids Nitro from Fantastic Fest 2012 in Austin, TX.
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It’s quiet, muted at times, as Anderson says with a single shot what lesser directors spend entire scenes on creating, and it ends on a vague whimper.
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Clichéd and as subtle as a kick to the groin, the screenplay by first-time screenwriter Randy Brown doesn’t so much foreshadow events as scream loudly from Hollywood playbook exactly what will occur. Overly sentimental, and not ambitious in the least, the film is a crowd pleaser with well-placed grumpy old man jokes that won’t force audiences to think much (or at all).
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Arbitrage, starring Richard Gere, is an airtight thriller of the economic titans that avoids becoming preachy or sentimental.
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