Percy Jackson returns for yet another underwhelming mythological adventure.
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Percy Jackson returns for yet another underwhelming mythological adventure.
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The Canyons, a sex-driven thriller written by Bret Easton Ellis, the writer who penned American Psycho, and directed by Paul Schrader, the writer of Taxi Driver and Raging Bull, might just be worth watching.
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There’s a big difference between what should be funny and what’s actually funny.
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Listen to Eric Melin and I argue about The Wolverine on Scene-Stealers Podcast #100. Hugh Jackman reprises the titular role that made him famous in The Wolverine, a movie that is simultaneously hampered by being forced to acknowledge the X-films that came before it, and helped by largely divorcing itself from the X-universe and telling its […]
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Nicolas Winding Refn’s newest pairing with Ryan Gosling is a step in the wrong direction.
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Based on the comic of the same name, Ryan Reynolds and Jeff Bridges star in this amusing tale of undead cops working for the Rest In Peace Department.
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Red 2 may have some fun moments, but the trainwreck of a sequel simply can’t hold enough good scenes together to keep the film from floundering through most of its nearly two-hour running time.
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‘A Hijacking’ is a fictional film that hits both with blunt force and a surprising amount of complexity, built around two sides of a terrifying conflict—the hijacking of a cargo ship in the Indian Ocean by Somali pirates.
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‘The Conjuring’ very much feels like a 1970s horror film, before slashers were haunting teenage dreams and well before found footage became the way to make a story feel real.
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Turbo is a cute, fun, and mostly entertaining 96-minute story about chasing impossible dreams and the complicated relationships between brothers that’s likely to please — but not wow — the whole family.
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For those who are hardcore about their kaiju consumption Guillermo del Toro‘s Pacific Rim is not perfect, but for those who are looking for a fun and thoughtful summer movie with more character than most, Pacific Rim should do the trick in a big way.
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Israeli director Rama Burshtein’s debut is filled with plenty of quality performances and solid writing that almost over come the films distracting stylistic devices.
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