Unfortunately, it’s another in a long line of comedies that has guys behaving badly and treating girls like crap for the entire film and then lets them off the hook towards the end because that’s the structure of the typical romantic comedy — not because any of it makes any sense.
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This weekend the Screenland Armour is the home of Panic Fest, a horror and thriller film fest with vendors that acts as general celebration of everything creepy, crawly, and scary. It’s a great fest for people who like their horror a little more off the beaten path than the latest uninspired remake of whatever classic horror film Hollywood is butchering next.
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Ralph Fiennes‘ second feature as director, The Invisible Woman, is a gauzy and beautiful period piece, but the film’s lack of a specific cinematic perspective leaves it wanting.
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Ultimately, Lone Survivor is a disappointing film based on an incredible true story. I just wished that the adaptation came closer to doing the real life event some justice.
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Meryl Streep leads an all-star cast in this plate-breaker that never manages to rise above spitefulness.
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Quentin Dupieux’s new film Wrong Cops shows us that sometimes it’s very difficult to tell if a film is trashy and brilliant and destined for cult fandom, or if instead the movie is misguided and not very good at all.
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You name a cinematic technique, Scorsese uses it here. It’s impossible not to relent to its hallucinatory style, and you may begin to feel a little under the influence yourself.
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‘The Secret Life of Walter Mitty’ cheats its audience. It fast-forwards past a ton of struggle and conflict to get its character to a heroic place, and after the CGI-heavy daydream scenes, the real-life scenes just lose their luster.
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Director Justin Chadwick attempts to show Mandela as the complex and multifaceted person he was, but in cramming in a multitude of facts, Chadwick misses any grand truths of Nelson Mandela’s influential life.
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Kathleen Hanna, the provocative and thoughtful lead singer of bands Bikini Kill, Le Tigre, and The Julie Ruin walked away from the music scene in 2005, leaving behind a throng of fans, likeminded feminist and DIY activists that pondered her departure.
What happened to Kathleen Hanna?
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Disney’s new film Saving Mr. Banks alternates between compelling and troubling. Its parallel story lines and characterization of the manipulative and fatherly Walt Disney (Tom Hanks) make it a slightly entertaining mess.
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Joel and Ethan Coen return with their latest film Inside Llewyn Davis, which follows Llewyn Davis (Oscar Isaac), a brilliant folk musician, but miserable human who is struggling to live off of his music in New York in 1961.
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Of course, the film is full of familiar characters and cutting-edge computer-animated action scenes, yet at times this two-and-a-half-hour middle chapter lacks urgency and its easy to feel the running time.
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Although it’s far from Frears’ best work, Philomena is a solid film that offers the chance for Coogan and Dench to spend much of their time alone together onscreen in discussion of everything from trashy romance novels to the existence, and nature, of a higher power.
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All is Lost is a stranded-at-sea survival story with almost no dialogue and a soulful lead performance from 77-year-old Robert Redford.
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