If these costumed super heroes are truly the gods of our time and the films that they are in each summer are our contemporary mythological canon, then these films should reflect our current understanding of each other, including visual representation of women and minorities, instead of parading out old narrative tropes and stereotypes as if they were steadfast truths.
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Rating: Minor Rock Fist Down Sequels are tough. Even if you’ve made a wildly successful first film. Even if you’ve had more than six movies to establish your continuity. Even if you have the deep pockets of a major studio like Disney. Even if you’ve got a director who’s incredibly good at writing ensembles. Sequels […]
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You can’t blame Laugh Killer Laugh for reaching hard to come across as a gritty crime film in the vein of numerous East Coast crime movies, because the film achieves a kind of off-kilter genuineness that only certain B-movies can achieve.
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Ex Machina does what excellent science fiction always does. It uses the tenets of the genre to pose difficult questions about our human existence.
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Most people can skip Roar, but if the confusing anomalies of cinema draw you in like a magnet, then you must see Noel Marshall’s cinematic madness on the big screen.
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Ultimately True Story fails to create any real suspense, its only saving grace is the compelling nature of its source material.
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Furious 7 is exactly what you’d expect if you’ve seen any of the later entries in the franchise, watched any of the trailers, seen the poster with the parachuting car or heard Diesel’s claim about it winning Best Picture – genre ridiculousness with a couple of good stunts.
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Will a child enjoy this movie? Of course. It’s colorful, sweet and has plenty of moment’s that a child’s sense of humor will enjoy. The parents, on the other hand, may think to themselves they could’ve spent their time better.
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[Rating: Minor Rock Fist Down] At the midway point of Unfinished Business, I had realized where I had seen this movie before. A business owner and his team travel the country, to make sure a deal gets done. Along the way, there’s another company trying to sabotage their deal. Other hijinx ensue, including an accident with […]
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Mr. Turner covers 25 years of the contradictory painter’s life, and it often feels like it, moving at a languorous pace over its two-and-a-half hours. Like it’s subject, however, the film has an irascible charm.
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Traveling 10 years in the future, Lou, Nick and Jacob set out to investigate who tried to kill Lou.
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As a film, Sam Taylor-Johnson‘s version of Fifty Shades of Grey is a not good, not terrible adaptation of E.L. James‘ wretched book. As a cultural event, Fifty Shades is a tragic missed opportunity.
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Moore is the reason it works. She’s so natural and free of vanity. She doesn’t telegraph the tragedy of her situation like so many made-for-TV movies do. It’s a quiet performance and the uncertainty of how present Alice is undercuts everything, even the joyful moments.
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Matthew Vaughn adapts another Mark Millar story with mixed results.
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Jupiter Ascending may be an unfocused mess, but as far as big-budget sci-fi fantasies go, it’s one of the most entertaining messes ever.
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