David Oyelowo makes his directorial debut with the an enjoyable family adventure The Water Man. Basking in magical realism, The Water Man utilizes its creativity to overcome its generic plot.
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Print Reviews
In “Four Good Days,” it’s mother versus daughter in this domestic drama that feels more like a cheesy soap opera.
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In a post-pandemic world, going outside your home to interact with strangers seems a wild experiment, something “The Outside Story” relates to.
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Bridesmaids for arm-wrestling, ‘Golden Arm’ proves that boys aren’t the only ones who can carry a film with stupid macho humor and improv craziness.
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‘Without Remorse’ moves well and has stakes, but ultimately suffers from a Jack Ryan deficiency.
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Ed Helms and Patti Harrison shine in a different kind of romantic comedy.
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A gore-happy love letter to a notoriously violent video game, ‘Mortal Kombat’ is the film that fans of the franchise have been waiting for.
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‘Wildcat’ is little more than torture porn with all the foreplay and none of the payoff.
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Jakob’s Wife, writer/director Travis Stevens’ follow-up to the stellar Girl on the Third Floor is a slyly comedic take on the vampire genre, with the added bonus of offering up a really powerful role for star Barbara Crampton.
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Tina Turner has had a life so extravagant and inspiring, it was high time her story finally be told on film for her audiences to once more fall in love with her.
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Yes, there are human beings in ‘Godzilla vs. Kong,’ but they matter very little in comparison to everything else that happens during the epic showdown of these two legendary Titans.
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‘Godzilla vs. Kong’ isn’t so much good, but rather good enough, sacrificing character work and dialogue for kick-ass action set pieces.
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‘The Father’ is a personal and painful look at the effects of memory loss and loss of reality for aging Anthony Hopkins.
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‘Zack Snyder’s Justice League’ is the better version of a bad movie, filled with long, drawn-out scenes that fail to advance plot nor develop character.
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Shoplifters of the World is a love letter to 80s counter-culture and the band whose music shaped the identity of an alternative generation. Lacking substance on the back of weak performances, the film fails to hit the great heights it shoots for.
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