![Post image for Zombies Ruin a Wedding in ‘[REC] 3 Génesis’](http://www.scene-stealers.com/wp-content/uploads//2012/09/rec-3-genesis-pic09.jpg)
Some may feel that the humor betrays the mood of first two movies, and that dropping the reality style was a mistake, but I disagree.
{ Comments on this entry are closed }
Reviews
Arbitrage, starring Richard Gere, is an airtight thriller of the economic titans that avoids becoming preachy or sentimental.
{ Comments on this entry are closed }
Using specially designed hidden cameras, Brügger films his “secret” meetings with these powerful men — ministers, defense secretaries, bureaucrats, other “diplomats” — who all put on this charade that they are doing things for the welfare of the country.
{ Comments on this entry are closed }
Quadrophenia captures the anger, the innocence, the hurt, and the rage of those young adult years and with The Who blaring in the background, gives you something to scream about.
{ Comments on this entry are closed }
With the new documentary Screaming In High Heels — out now on DVD from Breaking Glass Pictures — director Jason Paul Collum has done more than just chart the rise of “The Terrifying Trio” of cult actresses Brinke Stevens, Michelle Bauer, and Linnea Quigley. Collum has also created a film that shows the decline of the grindhouse, […]
{ Comments on this entry are closed }
An animated children’s movie about pirates and a drama about a man living his life out of order are two new DVDs out now.
{ Comments on this entry are closed }
It’s consistently funny, but it’s also shame that Bachelorette lets most of its characters off the hook too easily, especially after being such a tough-minded film at the opening.
{ Comments on this entry are closed }
‘The Words’ provides stories within stories within stories. After all, why settle on a single plot with one narrator, when three will do? Nothing in this script develops naturally. And that’s the problem.
{ Comments on this entry are closed }
Those seeking out Robot & Frank are likely to get exactly what they expect, no more, no less, but for longtime fans of Frank Langella (or those desperate for anything even remotely sci-fi), it’s enough.
{ Comments on this entry are closed }
The best performance in the film comes from Kirsten Dunst, who uses the leftover existential dread from her brilliant role in Melancholia to her advantage here in her portrayal of Regan, the closest thing the film has to a protagonist.
{ Comments on this entry are closed }
Cosmopolis falls squarely in the “experimental unadaptable mindfuck” category of Crash (based on the J.G. Ballard book, not that abysmal Best Picture winner) and Naked Lunch (based on William S. Burroughs’ groundbreaking free-form novel).
{ Comments on this entry are closed }
As unassuming as Weekend is, it’s also surprisingly powerful in that it creeps up on you. The dialogue is natural, the sex scenes are tender, and the camera never gets in the way of the story.
{ Comments on this entry are closed }
It may look like The Fast And The Furious: 1920s, but Lawless is wittier and more memorable than initial trailers would lead you to believe.
{ Comments on this entry are closed }
Two movies new out on Blu-ray and DVD are being marketed as adult dramas, but one is just a little more adult than the other.
{ Comments on this entry are closed }
‘Premium Rush’ is the ‘Top Gun’ of bike messenger films, because, like the rebellious fighter pilots of that iconic movie, it glorifies a specific societal subset — they have their own subculture and even hang out at a bike messenger bar.
{ Comments on this entry are closed }