Reviews

The Rock cosplays Black Adam and crashes the DC universe in one of the most emotionally uninteresting and generic superhero movies ever produced.

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Poignant and hilarious and tragic and achingly real in all the ways McDonagh’s films are, ‘The Banshees of Inisherin’ is magnificent.

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Through a series of freak occurrences, a group of actors shooting a big-budget war movie is forced to become the soldiers they are portraying.

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‘Amsterdam’ is a soulless grab-bag of eccentric characters and plot notions scrambled together for maximum awards season effect.

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“Bros” is not going to break any glass ceilings in the romantic comedy genre, but big laughs and Billy Eichner help it stand above the rest.

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A housewife living in a utopian experimental community begins to worry that the company where her husband works could be hiding disturbing secrets.

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Clerks III follows Randal, Dante, Elias, Jay, and Silent Bob make a movie about their life in a convenience store.

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Although John McEnroe makes a fascinating subject, this documentary never gets to the core of the man.

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Tense, gorgeous to look at, well-acted, and wonderfully directed, ‘Prey’ is a goddamn blast, and a pleasant back-to-basics return for the franchise.

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[Rating: Minor Rock Fist Up] In Theaters Friday, July 22nd People are going to try and sell Nope as a 70s-era Spielberg homage, or a 50s alien-invasion throwback, and while there’s notes of all these things in the picture, this is 100% undiluted, uncut Jordan Peele. A bracing, suspenseful, well-paced thrill-a-minute corker buttressed by insightful, […]

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One day a movie will peel back the gruesome and abominable moral complexity of Adolf Eichmann, but ‘Orders from Above’ is not that movie.

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‘Thor: Love and Thunder’ is a fun space adventure that lacks the heart and energy of its predecessor. But Christian Bale is awesome as Gorr and Natalie Portman flexes her muscles despite a bit of a weak script.

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A forgettable trifle that rarely makes sense and doesn’t look particularly interesting, ‘Thor: Love & Thunder’ is nonetheless funny and easy to consume.

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Elvis the film, even if it nails the look, feel, rhythm, and swagger of “The King” takes away his agency and misses too many key details.

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‘Lightyear’ is every bit the feature film-length toy commercial you’ve come to expect from Disney. Unfortunately it’s missing the magical imagination and emotional heart that we’re used to getting from Pixar. But that cat Sox makes it worth the watch.

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