So many of the people in “Rewind This!’ are 100 percent honest about how success on VHS was about presentation of product, meaning that films were sometimes sold on the basis of a title and cover art alone.
{ Comments on this entry are closed }
Reviews
Ultimately, Lone Survivor is a disappointing film based on an incredible true story. I just wished that the adaptation came closer to doing the real life event some justice.
{ Comments on this entry are closed }
Meryl Streep leads an all-star cast in this plate-breaker that never manages to rise above spitefulness.
{ Comments on this entry are closed }
As Theodore Twombly (Joaquin Phoenix) leaves his spotless, lonely high-rise Los Angeles apartment for work, he is surrounded by thousands of people doing the same thing—every one of them zoned into their own little bubble, talking to someone (or something) on devices that are networked into their home computers.
{ Comments on this entry are closed }
Director Michael Mann may be best known for the crime film ‘Heat,’ but ‘his debut, 1981’s Thief’ is a moody precursor, out in a new Criterion Blu-ray/DVD edition now.
{ Comments on this entry are closed }
Two midcult phenomenons — Riddick and Insidious Part 2 — make their way to home video release in Blu-ray/DVD/Digital Copy Combo Packs.
{ Comments on this entry are closed }
Quentin Dupieux’s new film Wrong Cops shows us that sometimes it’s very difficult to tell if a film is trashy and brilliant and destined for cult fandom, or if instead the movie is misguided and not very good at all.
{ Comments on this entry are closed }
You name a cinematic technique, Scorsese uses it here. It’s impossible not to relent to its hallucinatory style, and you may begin to feel a little under the influence yourself.
{ Comments on this entry are closed }
‘The Secret Life of Walter Mitty’ cheats its audience. It fast-forwards past a ton of struggle and conflict to get its character to a heroic place, and after the CGI-heavy daydream scenes, the real-life scenes just lose their luster.
{ Comments on this entry are closed }
Director Justin Chadwick attempts to show Mandela as the complex and multifaceted person he was, but in cramming in a multitude of facts, Chadwick misses any grand truths of Nelson Mandela’s influential life.
{ Comments on this entry are closed }
Kathleen Hanna, the provocative and thoughtful lead singer of bands Bikini Kill, Le Tigre, and The Julie Ruin walked away from the music scene in 2005, leaving behind a throng of fans, likeminded feminist and DIY activists that pondered her departure.
What happened to Kathleen Hanna?
{ Comments on this entry are closed }
Everything is fake—from Christian Bale’s hideous comb-over/toupee combo to Amy Adams’ English accent—in David O. Russell’s messy, hilarious crime comedy American Hustle.
{ Comments on this entry are closed }
Disney’s new film Saving Mr. Banks alternates between compelling and troubling. Its parallel story lines and characterization of the manipulative and fatherly Walt Disney (Tom Hanks) make it a slightly entertaining mess.
{ Comments on this entry are closed }
Joel and Ethan Coen return with their latest film Inside Llewyn Davis, which follows Llewyn Davis (Oscar Isaac), a brilliant folk musician, but miserable human who is struggling to live off of his music in New York in 1961.
{ Comments on this entry are closed }
Even more so than usual in a McKay/Ferrell collaboration, the movie feels like string of sketches very loosely tied together — as if the plot only exists to expose how stale these kinds of comedic blueprints are in the first place.
{ Comments on this entry are closed }