I must confess that when I first saw the trailer for “Easy A,” the literature nerd in me was thrilled. A teen comedy that takes on Nathaniel Hawthorne’s “The Scarlet Letter”? So down. I didn’t expect much of the movie—by which I mean I went in with no expectations of greatness—and while I don’t think […]
Here is Eric’s KTKA-49 review of “The American” starring George Clooney. His print review of the movie is right here: Movie Review: The American
Make no mistake: Just because Robert Rodriguez’s “Machete” revolves around timely issues like anti-immigrant xenophobia and Hispanic stereotyping doesn’t mean he gives them the respect and critical treatment they deserve. Instead, he does what any low-budget genre filmmaker worth his salt-covered wound did in the 1970s: He exploits the hell out them. “Machete” is the […]
Romantic comedies are far from my favorite genre. The cream of the crop are passable at best, and for the rest, well, just take a look at Kate Hudson’s filmography sometime. Perhaps it’s because the bar is set so low that Going the Distance finds a way to be a halfway decent, and at times […]
What makes “The American” work as a thriller is not what it shows, but what it leaves out. There are no flashbacks and there is very little talk about the past. In fact, the first time we meet George Clooney’s character, we have no context at all. He’s at a cabin in the woods in […]
Here’s Eric’s on-camera review of Robert Duvall and Bill Murray‘s “Get Low.” from ABC KTKA-49. His more in-depth print review of “Get Low” is right here.
I love heist flicks and I’m usually willing to cut them an awful lot of slack. On my DVD shelf alongside of “Heist,” “To Catch a Thief“, and “Sneakers,” I own copies of “The Newton Boys,” “How to Beat the High Co$t of Living” and “After the Sunset“. When a new heist flick comes along […]
Robert Duvall is an actor who can do stoic Southern characters in his sleep. He has always had a knack for playing the down-home philosopher who chooses his words carefully, and he’s as sturdy and subtle as ever in “Get Low,” a measured drama set in Depression-era Tennessee. Partially inspired by the true story of […]
Watch Eric’s review from ABC KTKA-49 above or check out his more detailed print review of “The Switch,” starring Jason Bateman and Jennifer Aniston.
What is it about space that so captures our imagination? Is it the vastness that seems to beckon, almost tease us, upward and outwards to explore its seemly endless wonders, or is it simply how it allows us another perspective in order to see how small and relatively unimportant one tiny blue dot is in […]
Watch Eric’s on-camera review of “The Switch” with clips from the movie here. Narration in movies is a tricky thing. Sometimes it illuminates the thoughts of an anachronistic, layered character. Sometimes it’s used to create a mood or rhythm—it’s another detail of a film’s setting. Often times, however, narration is there to tie up a […]
Watch the Scene-Stealers On-Camera Review with clips from the movie here. See why “Scott Pilgrim vs. The World” came in at #7 on the Top 10 Modern Magic Realism Movies list here. Overloaded by lightning-quick information via social media, text messages, and an unlimited supply of TV and computer screens that never seem to shut […]
Eric Melin from Scene-Stealers and Aaron Weber from DadsBigPlan review “Scott Pilgrim vs. the World,” starring Michael Cera and directed by Edgar Wright. Will the visual inventiveness and stylistic trappings of a movie within a videogame kill the movie or does the film succeed as a metaphor for an entire generation? Watch clips from “Scott […]
I was seven when I first saw my mother’s favorite movie, “Pretty Woman.” She loved it so much that, years later, she would make it her email address. This was my first introduction to Julia Roberts, and I’ve been a die-hard fan ever since. I own most of her catalog of work on DVD (some […]
Here’s Eric’s on-camera review of Will Ferrell and Mark Wahlberg‘s new comedy “The Other Guys” from ABC affiliate KTKA-49. See this clip on the 6pm news tonight. Eric’s full print review of the movie is here.