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Print Reviews

Frankenweenie ultimately proves that Burton was right to resurrect the project. You will believe a dog can fry.

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Mike Birbiglia, a stand-up comedian and frequent contributor to the outstanding radio program This American Life, adapts his autobiographical one-man show (which has been excerpted on THA) and 2010 novel Sleepwalk with Me and Other Painfully True Stories into a movie with one really great idea.

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All of the stories and line-up changes and drugs and alcohol abuse are recounted in My Career As A Jerk, and with minimal glossing-over.

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Fantastic Fest 2012 in Austin, TX just finished up and these are capsule reviews of ‘Vanishing Waves, ‘I Declare War,’ and ‘Crave,’ three of the biggest award winners.

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Cashing in on the success of Glee, Pitch Perfect takes viewers on the wacky ride of competitive a capella competition.

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Although Hotel Transylvania isn’t Tartakovsky’s creation, you can certainly see his fingerprints all over the film in a script he helped punch-up and his influence to push the movie towards a more high-energy animation style resembling Tex Avery’s classic cartoons.

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Fantastic Fest 2012 is happening now in Austin, TX and these are capsule reviews of films I’ve seen so far.

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In the new indie documentary ‘The American Scream,’ director Michael Paul Stephenson ‘(Best Worst Movie’) profiles three home haunters at different levels of obsession in the small town of Fairhaven, Massachusetts.

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‘The Conspiracy’ shifts focus in its third act to a truly frightening riff on found-footage horror movies, and deftly comments on the filmmaking process and the unreliable narrator phenoma.

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Here are some capsule movie reviews of the phallic documentary The Final Member and the vulgar comedy New Kids Nitro from Fantastic Fest 2012 in Austin, TX.

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It’s quiet, muted at times, as Anderson says with a single shot what lesser directors spend entire scenes on creating, and it ends on a vague whimper.

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Clichéd and as subtle as a kick to the groin, the screenplay by first-time screenwriter Randy Brown doesn’t so much foreshadow events as scream loudly from Hollywood playbook exactly what will occur. Overly sentimental, and not ambitious in the least, the film is a crowd pleaser with well-placed grumpy old man jokes that won’t force audiences to think much (or at all).

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Arbitrage, starring Richard Gere, is an airtight thriller of the economic titans that avoids becoming preachy or sentimental.

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Using specially designed hidden cameras, Brügger films his “secret” meetings with these powerful men — ministers, defense secretaries, bureaucrats, other “diplomats” — who all put on this charade that they are doing things for the welfare of the country.

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‘The Words’ provides stories within stories within stories. After all, why settle on a single plot with one narrator, when three will do? Nothing in this script develops naturally. And that’s the problem.

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