Producer and director Penn and Teller make this easy-to-approach documentary a comedic journey, and explain Tim’s process in a way that everyone can understand.
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Print Reviews
True/False Film Fest, which started Thursday night and runs through the weekend, is definitely the best place to see new documentaries that you may not be able to see anywhere else. The crowds this year are even bigger then they were last year, which may or may not be a good thing for the people that live in Columbia, MO.
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College life is easy, and the real world is hard but rewarding. That’s about all we learn in the new film Adult World a by-the-numbers college-to-adulthood story with a capable cast that includes John Cusack, Emma Roberts, and Cloris Leachman.
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The Wind Rises is an easy recommendation, as Miyazaki caps his career with a straightforward tale which has much going on under the surface touching on various themes the director returns to once more including flight, love, and dreams.
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Imitation may be the sincerest form of flattery, but Hairbrained from director Billy Kent cannot escape its quirky 90s influences to exert much of its own personality.
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The new film In Secret has a lot of things going for it, a great cast that features Elizabeth Olsen and Oscar Isaac, excellent art direction, and a script adapted from an Émile Zola novel. Yet for all of its apparent strengths, In Secret falls a bit flat.
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Gloria may sound like a trite ‘life begins at 50’ film, but don’t let the brief summaries fool you. Sebastián Lelio’s film is an incredible character piece, and Paulina García‘s performance as Gloria is amazing.
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It’s tough when actors you respect force you to say bad things about the movies they are in, but, alas, that’s the nature of the business. The Outsider is a new film that boasts a handful of respectable actors, among them James Caan, Jason Patric, and Craig Fairbrass, yet they’re given so painfully little in […]
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One of the first visionary works of 2014 hits theaters today. A Field in England is Ben Wheatley’s psychedelic allegory about five men who search for a buried treasure.
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George Clooney returns to the director’s chair with The Monuments Men, a film that is less a stirring love letter to the Greatest Generation and a bygone era in film, and more a checklist, hastily written with a crayon. Based on the true story about a group of aging art history professors and architects that were tasked […]
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24 Exposures from Joe Swanberg feels like one of the contrived sex-driven thrillers from the 90s, replete with terrible acting, unexpected pants-on “sex” scenes, and a mystery that is so uninteresting that I challenge you to even remember it’s still there by the end of the film.
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It’s problems started with the novel, but Jason Reitman‘s adaptation of Labor Day is sheer wish fulfillment. It plays on the desire to be taken from our humdrum lives by a magical stranger, who solves our problems and makes us feel loved for the first time.
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Raze is a cinematic throwback to the exploitation films of the 1960s and 70s. Unfortunately it doesn’t have the tongue in cheek humor or the thinly veiled fetishizing that made that era of film so interesting and endearing.
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Unfortunately, it’s another in a long line of comedies that has guys behaving badly and treating girls like crap for the entire film and then lets them off the hook towards the end because that’s the structure of the typical romantic comedy — not because any of it makes any sense.
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This weekend the Screenland Armour is the home of Panic Fest, a horror and thriller film fest with vendors that acts as general celebration of everything creepy, crawly, and scary. It’s a great fest for people who like their horror a little more off the beaten path than the latest uninspired remake of whatever classic horror film Hollywood is butchering next.
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