Atomic Blonde’s script, adapted from a graphic novel, is too clever for its own good, with twists that are obvious from the get-go, and a whole lot of misplaced sympathy that its characters never earn.
{ Comments on this entry are closed }
Print Reviews
‘Dunkirk’ is an amazing visual achievement but feels as void of heart and character as it is full of filmmaking craftsmanship.
{ Comments on this entry are closed }
‘SCORE: A Film Music Documentary’ opens at Screenland at Tapcade today. This is a full, encompassing look at film scores, starting with the beginning of film and organists in the theaters to modern-day movies and the full orchestras they incorporate.
{ Comments on this entry are closed }
‘Footnotes’ is a whimsical and original musical comedy about Julie, a young woman struggling to make ends meet in France’s radically changing economy.
{ Comments on this entry are closed }
[Rating: Rock Fist Way Up] Director Matt Reeves has done something truly spectacular with War for the Planet of the Apes. The third (and final?) installment in this reboot series is not only an emotionally dour thrill ride, but has once again highlighted the brilliance of Andy Serkis, whose performance as Ape leader Caesar proves […]
{ Comments on this entry are closed }
Spider-Man Homecoming is a fun and exciting addition to the Marvel Cinematic Universe with a performance by Tom Holland that captures the web head perfectly.
{ Comments on this entry are closed }
Packed with a killer soundtrack, a groovy cast, and an intelligent script, Baby Driver is one of the smartest, coolest and most entertaining movies of 2017.
{ Comments on this entry are closed }
The Skyjacker’s Tale is a captivating investigation of race and class in the Caribbean, as well as an informative unpacking of what it means to reform and mature.
{ Comments on this entry are closed }
Opening this Friday, The Exception is a smart, engaging romp through World War II and one officer’s struggle with romance, nationalism, and realpolitik.
{ Comments on this entry are closed }
The filmmakers didn’t set out to make a bad film. Yet despite the best efforts of everyone involved, The Book of Henry falls far short of the goal.
{ Comments on this entry are closed }
For those of you who love great acting, original plots, and engaging, interesting characters, you’re going to want to avoid this generic action flick.
{ Comments on this entry are closed }
The Mummy is ultimately a wasted opportunity to do something fresh and original with these characters. If the idea is to build a franchise around it, they’re off to a regrettably awkward start.
{ Comments on this entry are closed }
A tender coming of age tale stocked with a few poignant surprises, the Italian comedy, Feather (Italian: ‘Piuma’), will inevitably draw comparisons to like-minded pictures such as Juno or Knocked Up.
{ Comments on this entry are closed }
It Comes at Night isn’t a game changer of a horror film, but it’s a decent enough horror film that at times threatens to be great. While that promise feels lacking in the end, it’s a rare unsettling end of the world thriller that does exactly what it is supposed to do. It forces you to think.
{ Comments on this entry are closed }
This feels like the movie Sam Elliott has been waiting his whole life to make, which, if true, worked out well for the guy. He’s never been better.
{ Comments on this entry are closed }