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“Silent Night,” the new festive, apocalyptic film, is an only-sometimes-successful dark comedy.

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‘Macbeth’ is built like some kind of cinematic fantasy sports lineup and executed with all of the ease of an all-star team playing a no-pads scrimmage.

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The making of the greatest tennis players of all time.

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‘tick, tick…BOOM!” tells the life of an artist who wanted so much, but sacrificed the little slice of love and friendship to find his momentum.

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[Rating: Solid Rock Fist Up] In theaters only on November 19 I’m going to preface my review by just noting that I have had an undying love for Ghostbusters since I saw it on the big screen at Bannister Square in Kansas City, Mo. in 1984. I tolerated and accepted the weaker sequel and even […]

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In Kenneth Branagh’s sublime film ‘Belfast’ he uses a young lad in 1960s Ireland to tell his own story of growing up through troubling times.

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‘The Beta Test’ is a peek behind the showbiz curtain, looking less at the product and more at the obsolete machinery struggling to churn it out.

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An interesting if somewhat under-baked story with captivating imagery and unparalleled needle-drops, ‘Last Night in Soho’ is decent if unspectacular.

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Exciting, interesting, transportive, and seemingly pulled straight out of the mind of Frank Herbert, ‘Dune’ is the sci-fi experience of the season, and the movie fans of the book deserve.

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This ‘Sopranos’ movie prequel maintains the texture and voice of the groundbreaking show while never achieving its character or story depth.

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St. Vincent and Carrie Brownstein wrote and star in ‘The Nowhere Inn,’ a meta-mockumentary about the absurdity of stardom and celebrity. Full of humor and the occasional suspense, Clark and Brownstein work wonders together.

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‘The Eyes of Tammy Faye’ showcases the best performances of its leads’ careers, utterly wasting them on branded image propaganda.

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‘Shang-Chi and The Legend of The Ten Rings’ stars Simu Liu as Shang-Chi, who must confront the past he thought he left behind when he is drawn into the web of the mysterious Ten Rings organization.

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‘No Man of God’ is not a film that Ted Bundy would have enjoyed, but it’s the one his victims deserve.

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‘Shang-Chi and the Legend of the Ten Rings’ succeeds where others have faltered due to its vice-like grip on the larger Marvel formula and an embrace of genre.

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