Paul Wright’s debut feature ‘For Those in Peril’ taps into the ennui of community isolation, personal shame, and catastrophic loss without ever confronting the meaning of any of these issues for its characters or their world.
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A direct follow-up to 2009’s Dead Snow, director Tommy Wirkola is back with another take-no-prisoners examination of how bad it could get if not just zombies, but Nazi-zombies mucked about and started some shit.
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Currently playing at this year’s Seattle International Film Festival, Gold is a rare treat. A feel-good movie about an exiled dad looking to reconnect with his family, this Irish flick finds a way to tickle all the right spots without squeezing the sappier portions too terribly much.
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While Lee’s Unforgiven reboot probably won’t have the same cultural and cinematic impact as Leone’s first spaghetti western, the Japanese remake of what is widely regarded as Clint Eastwood’s finest work is nothing less than breathtaking.
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Another report from SIFF 2014! A Patriotic Man: The year is 1980, and members of Finland’s national ski team are looking for any advantage so that they might medal at the Olympics in Lake Placid.
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A clever mix of Harlan Ellison and Stephen King with just a dash of Poe-esque irony, Bradley King’s Time Lapse is a thrilling delight. The story of three friends who discover that their dead neighbor owned a camera that can take pictures of future events, the film pushes all the right buttons to elicit a tangible sense of excitement, curiosity, and foreboding dread.
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The movie’s focus is the period in Jimi Hendrix’s life between 1966 and 1967, when he was crafting the nuances of his unique sound: one that would explode into mainstream consciousness by the time 1968 dawned.
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Seattle, WA – Once again, Scene-Stealers has sent its chief west coast film correspondent to cover the opening night festivities of the Seattle International Film Festival, and once again, your humble author just barely got out alive. Well, okay…actually, this year it really wasn’t all that bad. For those of you who have followed the […]
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in honor of all those sweaty, surly, hard-working, knife-wielding food whores out there, and the filmmakers brave enough to feature them prominently in their flicks, Scene-Stealers is offering up an arbitrary ranking of the best chefs in motion picture history.
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It is especially baffling when a movie has all the high-end acting talent in the world and still finds a way to shit the bed. Here’s the 10 biggest offenders, from novelist and Scene-Stealers contributor Warren Cantrell.
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A well-intentioned 80’s-style slasher flick with gore and action to spare, Almost Human is never quite able to rise above the amateur-hour filmmaking traps in which first-time director Joe Begos repeatedly finds himself.
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It’s tough when actors you respect force you to say bad things about the movies they are in, but, alas, that’s the nature of the business. The Outsider is a new film that boasts a handful of respectable actors, among them James Caan, Jason Patric, and Craig Fairbrass, yet they’re given so painfully little in […]
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Seeing as how we’re just days away from the most holy and precious of all American holidays, the Super Bowl, it seemed altogether appropriate to examine this particular sporting phenomenon in film.
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Today’s list was meant to celebrate those movies that gave their audiences a Santa Claus character, and made him an important part of the picture.
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The International House of Prayer, based right here in Kansas City, has ulterior motives in Uganda besides missionary work. Oscar-winning director Roger Ross Williams new documentary ‘God Loves Uganda’ is an interesting look at the result of their efforts.
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