A touching tribute to one of the most famous artists in western civilization, Loving Vincent does right by Vincent van Gogh, recounting the Dutch painter’s life story in an inventive and mesmerizing way.
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Warren Cantrell
Unfocused, indulgent, and scattered, Human Flow, opening at the Tivoli Friday, doesn’t know what it wants to be, and has an even more difficult time trying to figure out what it wants to say.
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Few actors could lay claim to a more storied and dynamic a career, so it seems perfect that Harry Dean Stanton would go out giving a performance about an old man’s triumphant claim of victory on a life well lived.
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Writer/director Ryan Eggold is toying with some interesting stuff with all this, yet the emotional and thematic dots just don’t quite connect.
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Opening this week at the Screenland at Tapcade after a successful run in the festival circuit, Zoology is a headscratcher, but an admittedly interesting one. What it lacks in thematic focus it almost makes up for with its concept and fantastic cast…almost.
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A quiet, cerebral meditation on poverty, adolescence, gang culture, and “family,” Dayveon tells a complicated story in a startlingly accessible way. Opening Sept. 22 at the Screenland at Tapcade.
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‘Second Nature’ is a woefully under-baked concept set in an absurd world that is entirely disconnected from reality.
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Anchored by the performance of Lake Bell, who also wrote and directed the picture, I Do…Until I Don’t (opening today) recycles the mockumentary formula yet never comes off as redundant or familiar: an admirable feat, to say the least.
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Pilgrimage does a fine job side-stepping expectations and injects some 21st century life into a 13th century story.
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After Love transcends culture and language to tell a story that is as universal as the very concept of love itself. Come for the drama, stay for the humanity: it’s worth it.
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For non-New Yorkers looking for something more than just a car-wash-style march through the sitcom talking points of young adulthood and infidelity, ‘Landline’ might come off as somewhat lacking.
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‘Fun Mom Dinner’ knows what it wants to do, and goes after it with a fearless attitude and hard-R-rating sensibilities.
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The Skyjacker’s Tale is a captivating investigation of race and class in the Caribbean, as well as an informative unpacking of what it means to reform and mature.
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Opening this Friday, The Exception is a smart, engaging romp through World War II and one officer’s struggle with romance, nationalism, and realpolitik.
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A tender coming of age tale stocked with a few poignant surprises, the Italian comedy, Feather (Italian: ‘Piuma’), will inevitably draw comparisons to like-minded pictures such as Juno or Knocked Up.
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