‘Nothing to Do’ feels like film school project about hospice.
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Kate Valliere
‘Under the Eiffel Tower’ has a lot of ‘Veep’ stars, but none of the funny.
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Revenge drama ‘Destroyer’ is an unsatisfying ordeal.
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Newcomer Angus Imrie is the best thing about Joe Cornish’s ‘The Kid Who Would be King,’ an Arthurian tale for the tween set.
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Romance ruins bromance in badly written ‘The Upside.’
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The most provocative thing about this rote RBG biopic is the title.
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Hirokazu Koreeda’s award-winning ‘Shoplifters’ deserves the accolades for its beautiful, bittersweet family portrait.
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‘Spider-Verse’ is perfect holiday family fun.
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Though excellently acted, ‘The Favourite’ is bleak with some pacing problems.
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This steampunk adventure based on a YA series likely to bore moviegoers and disappoint fans of source material.
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Sweden’s official entry into the upcoming Oscar race ‘The Guilty’ takes hard look at heroism in tense, subtle thriller.
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‘Green Book’ is an enjoyable film with solid acting, but it brings up a lot of big questions it doesn’t bother to answer.
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‘Instant Family,’ written and directed by Sean Anders, is full of movie tropes I hate, but the thread of truth in the movie makes it a bit more entertaining.
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The charm and power in Boy Erased, written and directed by Joel Edgerton and based on Garrard Conley’s memoir, comes from the hesitations. The movie shows the tentativeness and caution it takes to reach for human connection when your culture tell you it’s sick, and the bravery it takes to hope for reciprocity in those moments – whether romantic or otherwise.
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