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Eric Melin

More cool news from the “Watchmen” movie camp: You’ve got to be a member of the New York Times website to see this, so I’ll just post the entire article here, but the gist of it is that the “Tales of the Black Freighter” story that serves to comment on the action in “Watchmen” will […]

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I’ve been crowing a lot in the recent weeks about all the completely unjustified venom being spewed at the Wachowski brothers’ day-glo kids movie “Speed Racer.” There’s a really dangerous thing out there called ‘critical consensus,’ where the buzz surrounding a movie and its critical reception is so bad that everyone just stays away. Like […]

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[vimeo 988699 nolink] Just saw this “No Country for Old Men” parody clip in the new issue of Entertainment Weekly, and I had to post it. One of the most memorable scenes of last year has been given a re-do with Javier Bardem’s voice being replaced by a hyper-effeminate one. Thing is, the clerk’s reactions […]

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Son of Rambow

by Eric Melin on May 23, 2008

in Uncategorized

Inspiration comes in all forms and writer/director Garth Jennings gets that idea across with equal parts cliché and whimsy in this U.K. import.

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I love movies about the power of movies. Believe me, I’m not a film critic because I think there’s a lot of money in it. I review movies because they hold this strange and exciting power over me and they have ever since I was a kid—the power to ignite the imagination. U.K. import “Son […]

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George Lucas, Steven Spielberg, and Harrison Ford resurrect one of America’s greatest heroes and update his story seamlessly into the late 1950s with mostly positive results.

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Moments after the final credits  stopped the first Indiana Jones movie in 18 years, Eric and J.D. turn on the camera and record their instant reaction. Not only did they screen “Indiana Jones and the Kingdom of the Crystal Skull” early, but the movie played at the Screenland Armour, a 1920s theater in Kansas City that […]

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MacGyver is coming to the big screen? Gizmodo says so. From their site… Today at Maker Faire 2008, MacGyver creator (and real life inspiration) Lee David Zlotoff announced he has a big budget MacGyver movie in the planning stages. Zlotoff mentioned he somehow ended up with the movie rights years ago (extremely uncommon), giving him […]

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It boasts some nice VFX, but director Andrew Adamson still hasn’t figured out how to make this classic story stand out among even the most generic fantasy films.

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“The Chronicles of Narnia: Prince Caspian” gets our two reviewers a little worked up. J.D. is very prone to liking the fantasy films, and Eric’s still got something stuck in his craw about “Speed Racer.” Sounds like the makings of a good one…

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This isn’t the newest of news, but scary stuff is happening with the Spike Jonze/Dave Eggers adaptation of “Where the Wild Things Are.” Here are some photos from the movie and a link to the petition being circulated to save Jonze’s vision fo the film, which is supported 100 percent by the book’s author, Maurice […]

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Seventeen years after “Point Break” washed up in movie theaters, surf’s up for the sequel! Are they kidding? I cant imagine it will star either Keanu Reeves or Patrick Swayze. From the Hollywood Reporter: “Point Break: Indo,” with Jan de Bont aboard to direct. An Asia-based follow-up to director Kathryn Bigelow’s original, which starred Reeves as […]

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“Charlie Bartlett” came and went pretty quickly in theaters recently and was such a contrived stab at the “alienated youth” genre that it made me think of the countless films that cover this territory much more convincingly. I liked the angle of the new “self-overmedication” problem that seems to have sprung up, but “Charlie Bartlett” […]

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[Rock Fist Way Up] Remember when you were a kid and you discovered the joys of coloring books? If you were like me, you just wanted to fill in the spaces between those rigid black and white lines. But there was always that showoff whiz kid who used every one of those 64 Crayons and […]

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Speed Racer

by Eric Melin on May 9, 2008

in Uncategorized

Pushes the boundaries of modern film language through seemingly impossible camera angles, constantly moving split-screen transitions, split-second close-ups, and zoom outs.

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