Daniel Craig and Liev Schreiber are two Jewish brothers who fight back against the Nazis in WWII in director Edward Zwick’s latest by-the-books disappointment.
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Daniel Craig and Liev Schreiber are two Jewish brothers who fight back against the Nazis in WWII in director Edward Zwick’s latest by-the-books disappointment.
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Rather than use a cheesy webcam and give you my single-person video review, I wrote and animated this clip of two cuddly teddy bears talking about Nazis and the Holocaust in Edward Zwick’s latest issue-driven movie, “Defiance,” starring Daniel Craig and Liev Schrieber. Enjoy!
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I know there’s only so many good ideas out there, and filmmakers are constantly recycling the same ones over and over, but just because we have computer-generated special effects now doesn’t mean that Hollywood has to raid its back catalog of movies. Check out this link if you don’t believe me that it’s gotten out […]
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Millimeter and Digital Content Producer magazines have provided me with the opportunity to interview prominent directors and profile 10 short films that are appearing this week at the 2009 Sundance Film Festival in Park City, Utah. Just in case you missed it, here are all five podcast interviews from the BlogLive@Sundance Film Festival ’09 that I conducted: My […]
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2/12 UPDATE post with more video here— Phoenix on Letterman, rap performance OK, I don’t know if the little amount of text I’m actually going to write for this blog justifies its own entry, but this is just too bizarre. You read the headline correctly. Casey Affleck is directing a documentary that follows Joaquin Phoenix‘s self-imposed […]
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From the NY Times Carbetbagger blog: The legal sniping between 20th Century Fox and Warner Brothers over the upcoming “Watchmen” has come to an end, allowing Warner Brothers to release the big-budget comic-book movie about dark and damaged superheroes as planned on March 6. Under the deal between the studios, Fox (which has tried to […]
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This weekend, I’ll be blogging for Digital Content Producer’s Sundance 2009 BlogLive. I’ll have audio podcast interviews with directors who have movies premiering at this year’s festival, and I’ll be posting profiles/reviews of films appearing in the festival’s Short Film Program. This year features a record 96 short films from 5,632 submissions, from U.S. and […]
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“Let the Right One In” will not be competeing for an Academy Award this year. This happened a while ago, but with the shortlist being announced yesterday, it’s new news to me. Each country is allowed one submission and Sweden chose “Everlasting Moments” instead. Turns out, though, that it may be the Academy’s difficult and […]
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Sam Mendes explores the prison of suburban America again in a beautifully shot and acted movie that hits you over the head with its theme one too many times.
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Eric and J.D. are reunited in a moment so big it could only be eclipsed by Leonardo DiCaprio and Kate Winslet’s first pairing since the record-breaking run of “Titanic” all those years ago. “Revolutionary Road” was directed by Winslet’s husband Sam Mendes (“American Beauty”) and adapted from the novel by Richard Yates. A depressing study […]
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Clint Eastwood’s newest plays like some sort of R-rated Hallmark made-for-TV movie with lots of frank racism in order to make it different, but none of his actors can play one believable scene against the actor/director.
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Clint Eastwood’s “Gran Torino” plays like some sort of R-rated Hallmark made-for-TV movie where the lead character, a horribly racist Korean War veteran named Walt Kowalski, finally learns firsthand that people are people everywhere, no matter what their background, and that racism is bad. For Walt to learn this valuable lesson, it takes his wife’s […]
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She’s been nominated for five Oscars and five Golden Globes and never won, until tonight. Kate Winslet swept the dramtic film actress categories, winning for “Revolutionary Road” and “The Reader.” “Slumdog Millionaire” is far and away the frontrunner for Best Picture in February at the Academy Awards now, with its Picture/Director/Writer/Score sweep Thursday at the […]
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In this visually stark Swedish import, the vampire is not portrayed as a sexy outsider, but rather a pathetic freak of nature.
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