‘The Green Knight’ is ‘Excalibur’ on mescaline; it is ‘Monty Python and the Holy Grail’ crossed with ‘2001: A Space Odyssey.’ It is also spectacular.
{ Comments on this entry are closed }
July 2021
‘Stillwater’ is a messy, unfocused tangle of a movie made only marginally watchable because of the superb work of its lead.
{ Comments on this entry are closed }
Despite a strong Mark Wahlberg turn, ‘Joe Bell’ is a jumbled mess of emotions and contradictions, none of them particularly interesting or fully baked.
{ Comments on this entry are closed }
Phil Fava compares the big-picture concepts and emotions being explored in 1984’s ‘Iceman’ to a 2017 movie with similar concerns, a different approach, and the same title.
{ Comments on this entry are closed }
At no point was my heart in my mouth – although my hand was, to cover up multiple yawns. The film was not striking in any way, shape or form.
{ Comments on this entry are closed }
Josh Ruben does it again with ‘Werewolves Within.’ Based off the popular game “Werewolf,” Ruben creates a humorous whodunit spiced up in a horror setting.
{ Comments on this entry are closed }
‘Zola’ is a hell of a read on Twitter, but despite great performances by Taylor Paige and Riley Keough, the film can’t quite capture the manic energy of the Twitter thread.
{ Comments on this entry are closed }