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February 2021

‘French Exit’ is less of a film and more of a collage of character quirks mashed together into something resembling a coherent narrative.

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‘The Father’ is superb, and gives a voice and a face to an affliction that is too often limited to those suffering on the periphery of it.

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Writer/director Garin Hovannisian’s Truth to Power, a new documentary on System of a Down frontman Serj Tankian, will likely entrance fans of the band looking to get an in-depth tale of the politically-active singer and musician, but anyone else in search of a focused tale will find the film desperately lacking.

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‘Minari’ is an instant American Classic about the American Dream to a Korean family finding themselves cultivating a farm in rural Arkansas.

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‘Nomadland’ is a stunning character study incorporating meditations on aging, legacy, industrialization, and the vanishing American middle class.

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The latest film from Adam Egypt Mortimer, ‘Archenemy’ (out February 16 on DVD and Blu-ray from RLJE Films), sees the writer/director once again applying his independent lens to a new genre.

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The debut feature from writer/director Adam Stovall, ‘A Ghost Waits,’ now streaming via Arrow, follows on the heels of last year’s acquisition by the venerable genre company of another left-of-center, oddly quirky, black and white fun take on genre cinema, The Lake Michigan Monster.

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This distasteful witch trial horror offering from Neil Marshall has a heavy-handed tone, clunky dialogue, and a refusal to concede to the realities of basic human physiology.

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