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June 2020

The scope of ‘Homewrecker’ might be narrow, but it results in an intense focus.

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The story of Johnny Cash’s first wife Vivian Liberto is finally told, as a forgotten moment in music history.

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‘Mr. Jones’ is a well-acted, timely, and important film that nevertheless finds itself bogged down by the larger narrative and choppy character work.

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Well shot, tightly scripted, and superbly acted by Joseph Gordon-Levitt, ‘7500’ soars.

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The sheer number of creative ways in which writer/director Jeffrey McHale uses footage for this retrospective movie documentary makes it the new gold standard of the genre, taking a movie you’re likely already biased against and leaving you feeling like you might just love it.

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A blood and gore-soaked romp through a Home Alone-esque scenario with 21st century sensibilities, ‘Becky’ is all sorts of fun.

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A jumbled, chaotic mess of imagery, character sketches, bad jazz, and even worse storytelling, ‘Adrift in Soho’ is just that: adrift.

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