Opening today at the Alamo Drafthouse, Tragedy Girls is a frothy yet black comedy that earns its R rating via several brutal murders and some barbed dialogue.
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Opening today at the Alamo Drafthouse, Tragedy Girls is a frothy yet black comedy that earns its R rating via several brutal murders and some barbed dialogue.
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A touching tribute to one of the most famous artists in western civilization, Loving Vincent does right by Vincent van Gogh, recounting the Dutch painter’s life story in an inventive and mesmerizing way.
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78/52 does more than just analyze the scene the film is known for, but helps viewers understand the importance of this scene and the importance of Hitchcock’s work as the Master of Suspense.
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Liam Neeson plays ‘Mark Felt: The Man Who Brought Down the White House’ in a cold, soulless D.C. performance.
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Unfocused, indulgent, and scattered, Human Flow, opening at the Tivoli Friday, doesn’t know what it wants to be, and has an even more difficult time trying to figure out what it wants to say.
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An art student taps into a rich source of creative inspiration after the accidental slaughter of her rapist. An unlikely vigilante emerges, set out to avenge college girls whose attackers walked free – all the while fueling a vivid thesis exhibition.
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Very different kind of article this time round. Let’s have a serious discussion on mental illness.
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Writer/director Ryan Eggold is toying with some interesting stuff with all this, yet the emotional and thematic dots just don’t quite connect.
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Both Haneke and Huppert were clear on their intentions from the start, and this alignment produced a movie that holds up as one of the best arthouse films of the last 20 years, with a nearly unmatched quiet kind of intensity.
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