This Criterion Blu-ray from the new 2K restoration, and with all of it’s supplemental features, is the definitive version of the film. For anyone looking to add a single Hepburn/Tracy movie to their collection, this is the one.
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Nacho Vigalondo knows his premise is ridiculous, so while he challenges audiences to take it at face value, he also asks them to consider the real issues and perspective that lie beneath what’s actually happening onscreen. Doing that deepens the experience and makes Colossal a sneakily subversive film that demands to be considered seriously.
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The Transfiguration is by no means an easy watch, but is well worth viewing all the same. As far as this being a horror movie, the vampire plot feels like a very loose guise to the true nature of this film.
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While one could take this whole story as an examination of religious extremism at its earliest stages, ‘The Student’ has little to say about what might be done to combat this in burgeoning adults.
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Colossal spends too much time tip-toeing between the two drastically different genres and never truly indulging in the obvious parallels to be made.
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The Lost City of Z is an interesting movie about a handful of fascinating people who all play second fiddle to an A-plot that only partially comes together.
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‘The Fate of the Furious’ is not the best of the bunch but thanks to a strong cast its shockingly entertaining and one of the most thrilling of the series.
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Tommy’s Honour stars Jack Lowden as Tommy Morris Jr., a real-life 19th century Scottish golfer who is widely credited as the modern game’s first star.
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‘Toni Erdmann’ is funny, unpredictable, and delectable throughout its entirety. It is with no small amount of anger, however, that I must report that Blu-ray edition is being released only as “Manufactured on Demand.”
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A brisk film at just under 90 minutes, Donald Cried feels like the two-headed love child of Manchester By the Sea and the Trailer Park Boys. It’s about loss, the reconciliation of past failures, and northeastern rubes with all the class of a carnival barker. Out now at Screenland Armour, Avedisian’s film is worth seeing as much for what it says as for what it doesn’t.
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I expected this movie to be something else. The synopsis describes it as a hostage thriller. But I should’ve known that Werner Herzog’s Salt and Fire couldn’t be that simple. This is a movie about facts fighting theories, a crumbling environment, corporate greed, and a tiny dose of aliens.
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The Blackcoat’s Daughter is in not about cheap scares. It builds a sense of tension with every shot. The score only adds to the dark tone. The chill inducing visuals while simple, only multiply the effectiveness of this creepy gem.
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