All of the uber-muscled, color-drained visual and aural bombast in the world can’t hide the ugly truth about Batman v Superman: Dawn of Justice. It’s dumb as bricks.
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All of the uber-muscled, color-drained visual and aural bombast in the world can’t hide the ugly truth about Batman v Superman: Dawn of Justice. It’s dumb as bricks.
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One good thing about Batman V. Superman: Dawn of Justice? I’m pretty sure a hell of a drinking game can be made around it. Every time Batman crashes into something: take a drink. Every time Lex Luthor monologues about God: take a drink. Every time Lois Lane gets trapped or captured: take a drink.
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What’s interesting about Pee-wee’s Big Holiday is that it must do the impossible: Measure up as a sequel to a true original. By its nature, this latest Pee-wee film retreads some of the same material, though in the most respectful way. That said, it does the best possible job rekindling the spirit of the first.
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While the third act meanders and loses its way, the movie rights the ship enough for audiences to be satisfied with the end product.
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The Lance Armstrong biopic ‘The Program’ is engaging and interesting, yet doesn’t add anything new to a narrative that has enjoyed exhaustive media coverage.
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In near future Brooklyn, an ad executive uses a new Augmented Reality technology to conduct an affair with his best friend’s girlfriend…sort of.
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At the height of the Cold War, the chilling thought that we couldn’t tell the enemy from ourselves was too much to for audiences, who turned a cold shoulder to The Manchurian Candidate. Now that’s its on Criterion Blu-ray, don’t make the same mistake.
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There’s little fault to find in Coming Home, which tells a heartbreaking story using components of a cultural upheaval that most of the world, China included, knows little about.
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The Danish Girl, out on Blu-ray now, pulls back every time there is an opportunity for an in-depth exploration of Lili’s psyche or an examination on Gerda’s part for the guilt and regret she may feel for encouraging this.
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Director Justin Kurzel has managed to craft a film adaptation of Macbeth that is simultaneously beautiful, terrifying, and gripping, and elevates the source material to unprecedented heights.
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