The films of Noah Baumbach have two constants, his love of New York and his obsession with moments of transition. His latest film Mistress America is no different, though more distilled and hilariously funny.
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August 2015
Caught between a forbidden romance and the expectations of his friends, aspiring DJ Cole Carter attempts to find the path in life that leads to fame and fortune.
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Z for Zachariah is a post-apocalyptic story of survival.
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Best of Enemies examines the televised debates between intellectuals William F. Buckley, Jr. and Gore Vidal, which coincided with the presidential primaries of 1968.
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Jesse Eisenberg stars in American Ultra, a spy movie/stoner movie hybrid that plays a lot like if Jason Bourne worked at the same convenience store as Dante and Randal.
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Today we celebrate every toker, smoker, and joker who ever had the mantle of responsibility thrust upon them in film, and rank them based on the success they experienced navigating their various situations.
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Henry Cavill and Armie Hammer trade in the same kind of faux-clever one-upsmanship that Holmes and Watson do in ‘Sherlock Holmes,’ with similarly weak dialogue but barely a quarter of the charm.
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Freed from the constraints of the mystery genre and having a detective/investigator as a main character, Jules Dassin’s 1950 film Night and the City is downward-spiral noir in its purest form.
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Dark Places suffers from its commitment to its mediocre source material, and the horrendous Fantastic Four is a intro course in how not to write a screenplay.
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[Rating: Minor Rock Fist Down] Joel Edgerton wears many hats in The Gift as writer, director and actor, but none of them fit particularly well, here. The Gift plays like an early draft of a Twilight Zone episode before Rod Serling tossed it out and started over or saved it for Night Gallery. Jason Bateman plays Simon, a successful salesman who […]
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