Feig’s ability to breathe fresh air into a somewhat stale concept bodes well for his and Ms. McCarthy’s expected reboot of the Ghostbusters franchise, which might very well succeed if it is as sharp and creative with its writing and comedy set pieces as Spy is.
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BASE Jumping founder Carl Boenish was fearless, but Sunshine Superman makes the mistake of taking the emphasis away from Boenish’s exciting, envelope-pushing film work to tell a story that doesn’t celebrate his cinematic risk-taking or convey the excitement of his skydiving stunts.
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Currently playing at the Seattle International Film Festival, and riding high on the laurels won at Cannes and the Caesars (Adèle Haenel won Best Actress at both), Love at First Fight is a light, interesting, gorgeous, and ultimately successful take on the familiar rom-com standard.
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Currently playing at the Seattle International Film Festival, A Blast is anything but, and only hints at something potentially special beneath all the misshapen debris.
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Mr. Bacon’s time in Hollywood has been defined by humility, hard work, dedication to his craft, and a selfless commitment to every professional endeavor, big or small. As he worked the red carpet leading into Seattle’s historic Egyptian Theater, all of this professionalism and good-natured courtesy was on display.
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Showing at SIFF 2015 now, the doc License to Operate examines the volunteer organizations that have formed in L.A. in an effort to curb violence and create lasting lines of communications between the neighborhoods and civic officials (police included).
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Dwayne Johnson stars in San Andreas, a disaster movie that’s too competent to be schlock, too dumb to be interesting and too concerned with spectacle to be entertaining.
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