Mr. Turner covers 25 years of the contradictory painter’s life, and it often feels like it, moving at a languorous pace over its two-and-a-half hours. Like it’s subject, however, the film has an irascible charm.
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February 2015
Whether Fellini Satyricon is a paean to excess or a reflective deconstruction of ancient myths and legends, one thing is for sure: It isn’t driven by a strong narrative or what one would consider effective acting, in any sense. Instead, its a series of stagey set pieces that happen to feature one of a couple main characters, loosely strung together by theme.
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Traveling 10 years in the future, Lou, Nick and Jacob set out to investigate who tried to kill Lou.
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As a film, Sam Taylor-Johnson‘s version of Fifty Shades of Grey is a not good, not terrible adaptation of E.L. James‘ wretched book. As a cultural event, Fifty Shades is a tragic missed opportunity.
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Moore is the reason it works. She’s so natural and free of vanity. She doesn’t telegraph the tragedy of her situation like so many made-for-TV movies do. It’s a quiet performance and the uncertainty of how present Alice is undercuts everything, even the joyful moments.
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Matthew Vaughn adapts another Mark Millar story with mixed results.
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Jupiter Ascending may be an unfocused mess, but as far as big-budget sci-fi fantasies go, it’s one of the most entertaining messes ever.
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Rating: Minor Rock Fist Down Even when they fail, it’s usually fun to watch Lana Wachowski and Andy Wachowski try. In a blockbuster spectrum that’s full of remakes, comic books, franchises and more remakes, they at least try to do things a little differently. Jupiter Ascending is an original story developed specifically for the screen. Yes, it wears many of […]
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Casual jazz fans and jazz historians alike have much to cheer about this week as the 1942 film Syncopation hits Blu-ray, courtesy the Cohen Media Group.
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