The mix of a snow-stained winter setting, lost money, drugs, and pitch-black comedy gives Fuck Up (Et Slags liv) a distinctly Coen brothers flavor: a comparison the movie seems proud of.
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The mix of a snow-stained winter setting, lost money, drugs, and pitch-black comedy gives Fuck Up (Et Slags liv) a distinctly Coen brothers flavor: a comparison the movie seems proud of.
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The Kansas City Art Institute and Alamo Drafthouse have joined forces to bring you Film School, a weekly student curated film series. This week – Casablanca (1942) – Saturday, May 18th at 3:40 p.m.
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With his film version of The Great Gatsby, Baz Lurhmann creates a glittery and overstuffed adaptation that has all of the facts of the book right, while missing the skepticism and queries posed by it’s narrator and author.
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The latest from director Baz Luhrmann takes a much deserved beating this week.
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The Kansas City Art Institute and Alamo Drafthouse have joined forces to bring you Film School, a weekly student curated film series. This week – Repo Man (1984) – Saturday, April 27th at 3 p.m.
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Michael Mohan’s ‘Save the Date’ explores some of the same ground as ‘When Harry Met Sally…,’ but with the self questioning and skepticism that make it more approachable and believable to a contemporary audience.
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At its core, Iron Man 3 is a screwball comedy about Tony Stark and Pepper Potts, post-intergalactic invasion. What makes it so enjoyable as formulaic escapist entertainment are the little tweaks that Black has made to the template.
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The armored avenger’s third outing is a high-speed, action-heavy romp that deepens some existing characters, introduces some interesting new ones and is surprisingly funny throughout.
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