Just after Scene-Stealers panned Rob Zombie’s “Halloween II” (a nice discussion about the movie is brewing right here, by the way) and since I included two horror movies (one from this list) on a list of Top 10 Pointless Remakes, we have received a passionate plea for respect of the modern horror remake pandemic. Bill Heinen has jumped into the fray, defending these films on his own terms, and has produced this list of the Top 10 Best Modern Horror Remakes. If you have a list you’d like to contribute, email me at eric@scene-stealers.com. Here’s Bill:

Well, here we are right after opening weekend for both “The Final Destination” and “Halloween II” and just before my favorite cinematic time of the year: the Fall, or as I like to call it, “horror season.” After both thriving and then dying in the 80s, only to be resurrected (somewhat, but never to the extent of the 80s) in the mid 90s, slasher films are back, and remakes of some classic slashers are popping up all over the place. (If you’re really into the history of the slasher, I recommend “Going to Pieces,” one of the best horror docs I’ve ever seen.)

In just the past five years, we’ve had three classic horror films - including the father of all slashers - completely overhauled with a sleeker, glossier, and one could easily say, sexier approach. And there are plenty more coming, including a new take on Freddy Krueger as more a pedophile and less a dream-monster in the upcoming “A Nightmare on Elm Street,” and Shannon Elizabeth playing every horror nerd’s favorite party hostess, Angela, in the “Night of the Demons” remake. I’ve been looking into a lot of online rumors about horror remakes that are yet to come, including Raimi’s absolutely fantastic cult classic “The Evil Dead,” to a new, improved Chucky in a “Child’s Play” remake. And, like me, most horror fans are somewhat irritated, hoping producers shouldn’t tread on films that are far from perfect, and yet perfect in their own ridiculous ways.

I personally am a huge fan of cheesy 80s horror films - you know, the ones with zero plot, fake-looking blood all over the screen, a lot of barely-clad coeds, and someone with a vendetta, a power-saw, a screwdriver, a drill, and of course, the ol’ standby, a nice big knife. That said, because I’m such a fan of these films, and by no means a tenured film critic, I have to give Hollywood some credit for at least making some interesting remakes that may not do the original film justice, but are a bloody good time in their own right. So, because we have plenty more to look forward to (or dread, depending on where you stand when it comes to these movies), here’s a list of my top 10 horror remakes thus far. Final Note: I am not going to dive into the plots of most of these, just my reasons for thinking they are decent remakes. Enjoy, and bring on the comments.

10. Shutter (2008)

Yes, Joshua Jackson is in a horror film. Yes, it is a remake of a Japanese horror flick, and many horror connoisseurs claim that Japanese horror is the best horror. I am definitely not one of them. And yes, this movie has some wonderfully creepy moments. One thing I loved about this very underrated movie is that the ghost isn’t grotesquely scary, i.e. “The Ring” or “The Grudge”; faces don’t get morphed into frozen expressions of sheer terror. The film is a little more subtle than that. Instead, we get (pardon the expression) snapshots of a supernatural nature. In the vein of films such as “Stir of Echoes” and “What Lies Beneath,” our photo-friendly ghost leaves clues for Jackson’s wife, helping her discover an ugly truth about her husband’s past. It is kind of predictable, but the moments of discovery in this film are actually unsettling, culminating in Jackson’s realization at the end that the source of his neck pain is more than just a bad mattress. I could watch that scene again and again. Not a great film, but good enough to hit number 10 on the list.

9. Night of the Living Dead (1990)

Just so we’re clear, I am talking about the remake directed by Tom Savini (the makeup and effects god of horror/slasher cinema), not the horribly crappy 3D version that should have never, ever been made. Savini knows horror; he’s had a hand in tons of slashers since the original “Friday the 13th,” and he understands what this kind of audience wants: blood, and lots of it. There are plenty of heads lopped off, limbs scattered and flung around, and, of course, zombies ravenously eating the living. Barbara isn’t a neurotic nut-job like she is in Romero’s classic; instead, she’s blowing away zombies left and right, taking charge of the situation and calling out orders like a platoon sergeant. While I think the original is probably one of the best horror films ever made, Savini had fun with this and it shows.

8. Quarantine (2008)

This one is actually closest to its source material, the Spanish film “[Rec].” If you haven’t seen the original, check it out. Even with subtitles, it’s fantastic. I saw this movie in a huge theatre and made the mistake of sitting in the front row. I can handle rollercoasters just fine, and this film, at that vantage point, made me dizzy as hell. When I rented it and watched it from the comfort of my couch, I realized it really is pretty dizzying regardless. But so is the original. Like “28 Days Later,” one of the best zombie films ever made (and completely redefined the genre, but that is for another discussion), this movie deals with an infection that rapidly spreads and immediately changes one’s nature as opposed to having the dead rise from their graves in search of tasty flesh. A fair amount of violence and gore, a LOT of jump scares (which I still think are the best kind), and plenty of terrifying night-vision episodes of cat-and-mouse, hunter-and-the-hunted sort of thing. I liked it a lot more than I expected to, so it makes the cut at number 8.

7. Last House on the Left (2009)

OK, so the original somehow, and I have no idea how, seemed so much more tame after viewing this remake. Probably because it was filmed in 1972 and there were a lot of barriers that Wes Craven couldn’t cross, as groundbreaking as it was. I can barely stand to watch rape onscreen, and LHOTL’s unrated version had a pretty long rape, the worst part being that instead of explicitly showing the event, we hear it, we see the sweat and dirt on the victim’s forehead and chin, her knuckles fruitlessly grasping at leaves, and the rapist’s son watching with a blend of horror, guilt, and the calm of a Zen monk. You can feel this scene, and it’s gut-wrenching. I don’t want to sound like a sadist here, but watching the murders of the rapist’s friends later is actually a lot of fun, his brother’s death being my favorite (a bottle of wine and a hammer in the head, plus a few fingers in the kitchen sink? awesome. fucking awesome). Yes, the ending is lame (and by that I mean the going off into the sunrise and ‘everything’s gonna be ok’ part, NOT the microwaved face, which was great), but it works overall.

6. Dawn of the Dead (2004)

I really don’t need to justify this being number 6 on the list, I just need to say two words: zombie baby. That’s right, a fuckin’ screaming, shitting, flesh-eating zombie baby. This movie didn’t have the sociological commentary like the original (claiming consumers are much like zombies, people in death do what they did in life, as in shop compulsively without knowing why, etc.), but what it did have was a lot of action. And I mean a LOT. The movie starts with a bang, probably one of my favorite horror intros ever, and only lets up a few times when everyone is in the mall doing somewhat “human” things. The escape from the mall in the armored truck with chainsaws taking out body parts all over the place was pretty great too. And Sarah Polley is not too hard to look at, especially when she’s kicking undead ass.

5. The Texas Chainsaw Massacre (2003)

Leatherface is one of the most mysterious horror icons. He apparently is the product of a bunch of ass-backward inbred butchers who decided a while back to stay in a deserted Texas town and murder and eat anyone unlucky enough to stumble across their way. Still, it’s never explained what prompts this individual to wear other people’s faces or hunt them down with a chainsaw - a very heavy, not-too-pragmatic murder weapon. The remake came out 29 years after the original, and while the first had plenty of scary, shocking moments, this one beats it with more violence, more gore, and waaaayyyy more cruelty. Slamming a bag of salt on an amputated leg while hanging him on a meathook … ouch. The movie had a lot of chases, with Jessica Biel having to run and fight with all she has. By the end, after the ordeal she’s had, after seeing her boyfriend’s peeled face hanging off his killer’s head, after killing her friend to ease his pain, it’s actually somewhat believable that she becomes such a badass and kills the fuck out of the sheriff. This is truly one of those very rare horror remakes that I ended up liking more than the original.

4. My Bloody Valentine 3D (2009)

This remake is a LOT of fun, and it is, without a doubt, the best 3D horror film ever made. Not like that’s saying a ton, but it’s something. Just like the original, the town thinks Harry Warden is dead and gone, and then the murders start up all over again. And in both films, the killer isn’t Harry at all (well, in the beginning of both films it is, but not at the conclusion). So the remake kept that part of the original … and that’s about it. The deaths in the original were more left up to the viewer’s imagination, whereas in the remake, through 3D lenses, we get to view eyeballs popping out, guts being strewn all over porches, and pickaxes flying towards us. It’s violent as all hell, it’s reckless and gory, and it’s basically a lot of running and killing. My kind of movie.

3. Halloween II (2009)

I am not pleased with two things in this movie, so I’m gonna list those first:

1. The first scene. It really doesn’t set the stage well. It showcases some bad acting from Sheri Moon Zombie, and the young Michael isn’t as evil-looking as Daeg from Zombie’s “Halloween.”

2. The mother/son Freudian thing and the Jungian/archetype thing with the white horse. Just didn’t work for me one bit. I thought it was pretty much a waste of time, though I guess it somewhat explained Myers’ purpose.

OK, that being said, I loved this movie. Now, I am biased, as I think Rob Zombie is the best horror director out there today, but it was fucking fantastic. As with his first “Halloween,” you really feel the force of Myers’ stabs, and it’s impressive and scary just how strong and powerful he is. Somehow, Zombie makes it hurt to watch, and it is graphic, but only for glimpses and seconds at a time. The original “Halloween II” (1981) took place entirely in a dimly-lit hospital with Jamie Lee Curtis basically hiding the entire time. It was somewhat scary, but not nearly as much as the first film. Though the hospital scene in Zombie’s is about 10 minutes long, it is by far scarier and more realistic than original director Rick Rosenthal’s. When she is stuck in the guard’s booth in the rainy dead of the night and Michael is slashing away at the walls, it’s hard not to feel how helpless Laurie really is. Annie’s death scene may be one of the most tragically sad and horrific scenes in the series, and her murder isn’t even completely shown onscreen. Laurie’s transformation from all-American good girl to understanding her true roots (“Angel O Myers”) is fairly devastating and uncomfortable, and you feel more empathy for her than any other Zombie character, in my opinion. Finally, this film will piss off a LOT of horror fans, or fans of Rob Zombie; it’s not simply a slasher movie, it’s a very artistic/archetypal/symbolic version of a slasher movie. That being said, I thought it was done in a beautifully horrific manner, with some shots that are hauntingly pulchritudinous.

2. Friday the 13th (2009)

OK, I might get some shit for the final two on my list, but I don’t care. There are plenty of reasons why I feel this remake was fantastic, and I’ll start with what my favorite kinds of horror films are all about: lots of breasts, lots of deaths. This movie was not only a damn good rehash of Crystal Lake massacres, it was basically a 90-minute homage to past films of the series. Instead of Jason’s mother being the killer throughout the entire movie, we see her for about a minute during the opening credits … and then we see her lose her head. I’ve talked to tons of my horror-nerd friends and we all agree that Jason is the centerpiece of the “Friday the 13th” world, not his mother, and we get both versions of Jason: potato-sack Jason, and of course, hockey-mask Jason. I’d say about half of the deaths in this film, while creative in their own right, definitely borrowed from previous films, which really excited me. Throughout my first viewing I kept thinking about how he jumped through the glass in part 5, how he used a bow and arrow (well, a harpoon really) in part 3, how he used a sleeping bag to kill someone in part 6, etc. It really was a lot of fun, and that’s what this franchise really is all about. Well, fun and buckets of blood, I suppose, but Glenn Danzig put it best when he was singing for Samhain as he chanted, “All murder, all guts, all fun.” Another thing I loved about this remake was that Jason was presented more as a highly-skilled hunter defending his land, and he defends it with a brutal force. Hell of a flick.

1. Halloween (2007)

I’m going to begin my explanation for our number one on the list by telling you all what my good friend and fellow horror guru (he actually knows WAY more about horror films than I) Kevin said after we left the theatre: “I’ve seen a lot of horror movies, and most of them in theatres, and I have never felt the way I feel right now after a movie. I have never seen something like that on screen.” And I couldn’t agree more. Rob Zombie gives us a brilliant retelling of not only the events in Carpenter’s classic boogeyman feature, but he allows us to understand that Michael Myers’ homicidal tendencies are not the result of a pagan curse or astrological anomalies (see “Halloween: The Curse of Michael Myers”), it simply stems from an intensely fucked-up childhood. Malcolm McDowell was a genius choice for Dr. Loomis, played originally by the great Donald Pleasance, and he was a drawing point for many people that may not have gone to see this movie for any other reason. The movie is completely unapologetic, it is brutally in-your-face, and it doesn’t let up. At all. From young Myers beating a fellow classmate to death with a large stick to adult Myers chasing his sister through a decrepit, abandoned home, tearing up floorboards and constantly slashing inches behind her, this movie is incredibly intense. Of all the horror franchises, the “Halloween” films are my favorite. Something about Michael Myers is less hokey than Jason, less comical and silly than Freddy Krueger; he’s just evil incarnate, and he doesn’t even show a passion for killing. He simply kills. Zombie may not have used too much suspense or tension or cat-and-mouse tactics that made the original such a joy to watch, but he makes up for it with a sadistic intensity that I don’t believe any remake so far has matched.

Tags: 10, best, films, horror remakes, list, movies, slasher, ten, to, Top 10 Modern Horror Remakes, Top Ten Modern Horror Remakes

A Universal logo from the 80s is the first thing shown onscreen in Sam Raimi’s “Drag Me to Hell,” and immediately I’m taken back to a time when renting random VHS tapes at the video store led to my discovery of “Evil Dead 2.” The writer/director’s latest is certainly a return to the nimble horror slapstick that marked his “Evil Dead” trilogy, but it also has the kind of efficient character development and high production value that his “Spider-Man” movies have.

Raimi loves to beat up on his main characters—just take a look at Ash or Peter Parker—and sweet young loan officer Christine Brown (Alison Lohman) doesn’t receive any sort of special treatment either. The poor girl is subject to all manner of disgusting-ness forced into her face and mouth and is routinely beat against the walls of her own house by some insidious invisible force.

In fact, Christine has more than one thing in common with Peter Parker—“Drag Me to Hell” is all about an outcast from a broken home learning to gain confidence and become an adult. Christine thinks the way to do that is through a promotion to bank assistant manager, but her boss (David Paymer) is worried she may not be able to “make the tough decisions.” She blocks out her helpful instincts and refuses an extension to an old woman who’s losing her house, not knowing it will be the first of many tough decisions she will make in the coming three days.

The woman curses Christine and sets a shadowy goat-demon on her trail, the same one who we saw break through a marble floor and swallow up a young boy in the prologue. If reading that last line sounded as ridiculous as it was for me writing it, that’s Raimi’s intention for sure. “Drag Me to Hell” walks a narrow path between campiness, sincerity, and sudden bursts of shock and “aaaah”!

It must also be mentioned that “Drag Me to Hell” (which was co-written by Sam’s brother, Ivan Raimi) is that rare horror movie that has tons of goo and slime, but also managed to receive a PG-13 rating. Besides the obvious commercial considerations, this was a smart movie because it forces Raimi to rely more on his skills as a filmmaker and less on gore. The Lamia is seen almost exclusively in shadow (with ominous extended arms in one scene that recalls Murnau’s “Nosferatu”) and Raimi makes good use (maybe a little over-use) of jarring sound effects.

Whether the film’s topicality is a coincidence or not (Raimi maintains that the “bank loan” idea is not in reference to our current fiscal crisis), “Drag Me to Hell” has a surprising amount of character for a horror movie. Lohman’s transition from frightened fawn to self-reliance is a joy to watch and her doting upper-class boyfriend is played with a nice mix of humor and earnestness by Justin Long. A key dinner where Christine meets his parents is fraught with all kinds of nervous expectations, nevermind the fact that Christine has a powerful curse on her that could go wrong at any moment. Oscar nominee Adriana Barazza (“Babel”) is even along for the ride as a medium who has some experience with the Lamia.

As with any horror movie, there is  a certain amount of suspension of disbelief, but Raimi’s kinetic energy and commitment on both sides of the fence make for one hell of a fun time. “Drag Me to Hell” doesn’t have the creepy, slow burn of a Cronenberg movie (although there is plenty of body-related squeamishness) or the classy suspense of a Hitchcock flick. It’s more like a rollercoaster that was built in the 80s. It’s a rough ride that jostles you around a lot, provides some cheap thrills, and when it’s all said and done, you and the person sitting next to you are laughing so hard you can barely contain yourself. It may not be the newest in ride technology, but it provides some definite kicks.

Tags: alison, Drag, Drag Me to Hell movie review, Hell, justin, lohman, long, Me, movie, raimi, review, sam, to

Filming started yesterday in New Mexico on an adaptation of one of my favorite books ever, Jim Thompson’s “The Killer Inside Me.” Director Michael Winterbottom (”24 Hour Party People”) is in charge and I couldn’t be happier.

It stars Casey Affleck as Lou Ford, a small-time sheriff who no one would suspect has finally started to act on his repressed homicidal urges. (This means he’s finally finished filming his Joaquin Phoenix faux-doc!)

Affleck has the perfect boyish demeanor for this role, and Winterbottom is one of the most exciting and innovative directors working today. No two of his films are ever the same. The movie also stars Bill Pullman, Elias Koteas, and Ned Beatty, none of which I’ve seen for awhile. Simon Baker was confirmed just today.

Thompson is one of the unheralded masters of hard-boiled American pulp fiction, and Stephen Frears’ “The Grifters” (starring John Cusack, Anjelica Huston, and Annette Bening) remains the only movie adaptation to come close to being as good as any of his books. (Both versions of “The Getaway” have their own merit, but neither really works.)

I trust he knows something we don’t know about Jessica Alba and Kate Hudson, and that maybe he will use their presence in this twisted morality play against the audience. Regardless, both actresses are hugely bankabale and Winterbottom has somehow managed to bring this film in at a budget of $10 million.

I love this book so much that I still own the 1976 version with Stacy Keach. It absolutely stinks. The DVD is so cheap it looks like it was filmed off a TV set. Fingers crossed for Winterbottom’s version. Good thoughs go out to New Mexico and soon to Oklahoma, where the cre heads next to complete filming.

Thanks to The Playlist for the scoop.

Tags: affleck, Alba, baker, filming, headline, Hudson, jim, keach, The Killer Inside Me, thompson, to, winterbottom

There’s been much speculation in recent weeks over the fate of the Peter Jackson/Phillipa Boyens/Fran Walsh-scripted adaptation of J.R.R. Tolkien’s “The Hobbit” after the news that original director Guillermo del Toro would be too busy with his myriad projects (a “Frankenstein” re-imagining, H.P. Lovecraft’s “Mountains of Madness,” etc.) to continue on as director. About his “Frankenstein” piece, del Toro says:

From SciFi: “The greatest soulless monster of Frankenstein has always been Christopher Lee, because when he stares at you, there’s really nobody home. It’s literally one of the scariest moments I remember as a kid. I thought, “Oh, my God, this thing is not human.” And the opposite, the complete polar opposite, is Boris Karloff, who is more human than humans. So you will have both those vibes in the piece.”

With del Toro officially out, it seems that Brett Ratner will now be sitting in the director’s chair.

Ratner (the director of the “Rush Hour” series) is Hollywood’s “go-to” guy for taking over valuable franchises after his work on “Red Dragon” and “X-Men: The Last Stand,” but news that he’s taking over Peter Jackson’s “Lord of the Rings” franchise is bound to piss a lot of people (like myself!) off. His latest project before this, a reboot of the “Conan the Barbarian” franchise, appears to be on hold for now.

I thought “Red Dragon” was pretty straightforward and workmanlike, with no real visual flair or anything, but at least he got the ending of the book right. I love Michael Mann’s “Manhunter” (the first filmed version of Thomas Harris’ novel), but always wondered why he ditched the book’s last pages for Iron Butterfly’s “In-A-Gadda-Da-Vida” and William Peterson breaking through full-length glass windows.

As far as “X-Men” number three, I felt that most of the characters’ story arcs were rushed and the movie didn’t have the same feel as the first two. It was a disappointing wrap-up for the series, especially given that Bryan Singer’s “X2″ was so spectacular.

But what will Ratner do with “The Hobbit”?

Sources say that Ian McKellan and Andy Serkis are rumored to still be frontrunners to remain in their respective roles of  Gandalf and Gollum, but that Bilbo Baggins, the hobbit played by Ian Holm in the “LOTR” series, will need to be replaced because his advanced age does not match up with the prequel nature of the story.

Ratner has said that he wants to replace Holm with a multitude of actors kind of like Terry Gilliam did on “The Imaginarium of Dr. Parnassus.” Casting rumors continue with names such as Chris Tucker, Jackie Chan, and Shia LaBeouf currently in talks with New Line’s reps.

“I want to expand the reach of ‘The Hobbit.’ It’s a classic story for everybody and I want to reach as many people as possible, ” Ratner says. “There is a facet of Bilbo Baggins in all of us, and having a multi-ethnic cast will really bring that feeling to the forefront.”

I think this is a bad idea, but I’m willing to give it a chance. What do you think?

Well, I got lots of emails and tweets from people who were fooled by this April Fools joke. Some of you knew it was too ridiculous to be true. (Did the Chris Tucker/Jackie Chan/Shia LaBeouf thing finally throw you off?) Anyway, hope my little joke didn’t cause you too much heartache. Del Toro is still on the job, folks! Happy April Fools! /film has a list of some of the other April Fools jokes that were out there today.

Tags: Brett Ratner, direct, director, directs, lord, of, on, peter jackson, reins, rings, takes, the, The Hobbit, to

2/12 UPDATE post with more video here– Phoenix on Letterman, rap performance

OK, I don’t know if the little amount of text I’m actually going to write for this blog justifies its own entry, but this is just too bizarre.

You read the headline correctly. Casey Affleck is directing a documentary that follows Joaquin Phoenix’s self-imposed retirement from acting to pursue a career as a rapper. Today in Las Vegas, Phoenix is making his debut performance as a rap singer. Affleck’s cameras sart rolling today. Sean “Diddy” Combs will reportedly produce the documentary.

What I can’t tell is if this is a joke or not. It could be the most elaborate put-on in the short history of the mockumentary genre. If Phoenix played a rapper like Sacha Baron Cohen plays Borat, everybody would recognize him and know it’s a joke. But if the actor plays himself pretending to want to be a rapper, everyone is forced to believe it and the illusion can then be successfully mined for laughs. It could be an Andy Kaufman-style hoax; one that Phoenix has been working on since he announced his retirement back in October.

Even in this video where he announces his retirement, it kinda looks like Affleck and Phoenix are acting for the camera. The interviewer doesn’t even believe him. Could be a set-up for the movie!

Andy Kaufman’s wrestling antics were all pre-planned hoaxes. See him on “Letterman” above.

It has to be a hoax for the sake of a funny movie, because otherwise why would Affleck think that this is anything worth filming? If it is for real, and it’s a disaster (and Affleck is counting on this for his movie), then he’s going to mine Phoenix’s misery, and that wouldn’t be cool for two friends. (Casey is married to Joaquin’s sister Summer Phoenix.)

Then, there is the other possibility: Joaquin Phoenix, the man who earned an Oscar nomination playing Johnny Cash (and singing his songs in the movie), is a bad-ass, talented rap artist. It’s just that nobody knows it yet. Wow. Really?

UPDATE: Here is video of Phoenix’s performance in Vegas, which seems to confirm my suspicions. You heard it here. I called it first! Not sure what they were thinking; it’s too hard to get away with hoaxes like this if you’re also using your celebrity. That’s why Sacha Baron Cohen is in disguise. Kaufman did it, I suppose, but his stuff was slightly more in character for what people expected of him than Phoenix rapping. Also, media was not nearly as advanced and immediate in the 80s.

Tags: album, career, casey Affleck, chronicling, direct, documentary, hoax, Joaquin Phoenix, mockumentary, music, rap, rapper, release, singer, to

This weekend, I’ll be blogging for Digital Content Producer’s Sundance 2009 BlogLive. I’ll have audio podcast interviews with directors who have movies premiering at this year’s festival, and I’ll be posting profiles/reviews of films appearing in the festival’s Short Film Program. This year features a record 96 short films from 5,632 submissions, from U.S. and international filmmakers. Submissions grew by 10 percent over last year. The 2009 Sundance Film Festival runs January 15-25 in Park City, Salt Lake City, Ogden, and Sundance, Utah.

Here’s a little background on one of the artists whose films I’ll be writing about. Don Hertzfeldt is back at Sundance for the fourth time with his newest film I Am So Proud of You. He’s been making award-winning shorts since 1995, and his 2000 animated short, Rejected, was nominated for an Oscar. Hertzfeld proves that animation doesn’t have to be done by computers or even have ornately rendered characters or backgrounds to be effective. This is bizarre, hilarious stuff, all hand-drawn, mostly black-on-white, and animated against a simple white background. At least until things get weird. If you haven’t ever seen his work, you need to. Check out Don Hertzfeldt’s short film Rejected below:

Rejected may be complete fiction (I’m pretty sure there’s no such thing as the Family Learning Channel), but the movie is a clear reaction to the requests for television commercials that were actually thrown at the filmmaker after the success of his 1998 short, Billy’s Balloon. A DVD collection of his shorts from 1995-2005 that includes both of the short films presented here is available at his Bitter Films website, along with lots of other cool merch you can buy to support the filmmaker. Here’s Billy’s Balloon, enjoy:

Tags: 2009, Animator, billy's balloon, Don Hertzfeldt, Everything Will Be OK, I Am So Proud of You, rejected, returns, Sundance, to, video

Just got this in my inbox about 10 minutes ago. I hope he does something different with it this time because his “Halloween” remake was about half good.

NEW YORK, NEW YORK (December 16, 2008) — Dimension Films - the successful genre and specialty arm of The Weinstein Company - is pleased to announce that the company will make “H2,” the sequel to Rob Zombie’s 2007 reinvention of the horror classic “Halloween.”  Once again, Rob Zombie has been tapped to write and direct.  Malek Akkad of Trancas International Films, who also produced 2007’s Halloween with Dimension, will produce the sequel, along with Andy Gould of Spectacle Entertainment Group, Zombie’s long time manager and producing partner.  The announcement was made today by Bob Weinstein, Co-Chairman of The Weinstein Company.

Dimension’s “Halloween” scored the highest Labor Day weekend opening ever with a record-breaking $30.6 million in its first four days of release and went on to gross nearly $60 million at the domestic box office in 2007.

Zombie’s “H2” will pick up at the exact moment the first movie stopped and follow the aftermath of Michael Myers murderous rampage through the eyes of heroine Laurie Strode.

“H2” will be Zombie’s fifth written and directed feature.  Prior to the success of Halloween, Zombie released the critically-acclaimed film “The Devil’s Rejects” (2005), the follow-up to his cult classic “House of 1000 Corpses” (2004).  Zombie just wrapped production on his animated feature film “The Haunted World of El Superbeasto” due to be released in 2009.  Zombie, also an accomplished recording artist, has sold over fifteen million albums worldwide, making him one of Geffen Records’ top selling and longest running artists.

Bob Weinstein stated: “Following the success of 2007’s ‘Halloween,’ we are thrilled to be back in business with Rob Zombie, bringing a sequel to theatres.  The fans have made it clear – and we agree - that they feel the franchise is in great hands with Rob Zombie.”

Rob Zombie said, ”I am very excited to be working with Bob Weinstein again and returning to the world of ‘Halloween.’ The remake laid the groundwork, now it’s time to really take Michael Myers to the next level. I believe we’ve just barely scratched the surface of where we can take this series.“

John Carpenter’s “Halloween” launched the Halloween franchise in 1978 and Moustapha Akkad, founder of Trancas International Films, executive produced the original classic. Akkad’s son Malek has continued with the franchise, producing “Halloween” (2007), “Halloween H20: 20 Years Later” (1998) and now, “H2.”

“I am thrilled to be making ‘H2’ at Dimension, the home of the ‘Halloween’ franchise for the last 15 years,” commented Malek Akkad.  “I look forward to working again with Bob Weinstein, as well as a filmmaker of Rob Zombie’s talent and stature.”

Tags: 2007, direct, H2, halloween, Rob, sequel, to, will, zombie

Okay, everybody, we’re going to do this one a little differently. I’m assuming a lot of you will want tickets to this movie, and we only have 50 to give away, so rather than doing the first 50 signed up, we’ll do a random drawing on Wed., Dec. 3 to determine the 50 lucky winners, who will then receive an email and instructions on how to print out their ‘admit-two’ pass!

The screening for Jim Carrey’s new movie “The Yes Man” is set for December 15 at the Olathe Studio 30 (119th & Strang Line) at 7:30pm. If you’ve won, you will receive an email on Wed., Dec. 3 with instructions on how to print off your ‘admit-two’ pass online. No need to wait for a pass in the mail! Please bring it to the screening, and remember to get there early. These screenings are overbooked to ensure a full house. Good luck!

Winners were selected at random this morning and emailed already. We had lots of entries, so congrats to the winners, and to everyone else– we’ll have more giveaways! Stay tuned! 

cforms contact form by delicious:days

Tags: 30, advance, amc, free, kansas city, olathe, passes, studio, The Yes Man, to

There is a brand new IMAX theater at the AMC Barrywoods 24 (8101 Roanridge Rd.) in Kansas City and the fine folks at AMC want to promote their new screen by giving our website 200 ‘admit-two’ passes to see the new animated movie “Madagascar: Escape 2 Africa” in IMAX. The screening is Monday, December 8th at 7pm and the first 200 people to fill out the form below will get a pass for that night to see “Madagascar: Escape 2 Africa” in the new IMAX theater at AMC Barrywoods 24.

If you signed up for passes, you will get them in the mail soon. All passes are going out in the mail today! Thanks and congrats! Stay tuned for more giveaways!

Tags: "Madagascar 2", free, IMAX, in, kansas city, tickets, to

“Hey, who wants to be a millionaire?”

Some jackass at the Replay Lounge asked me that question last night after this article appeared in the Lawrence Journal-World. Hell yeah, I do. Are you kidding? Who doesn’t want to get paid a huge some of money for putting all that (formerly) useless movie trivia to work? Today is my first appearance on Netflix Millionaire Movie Week on “Who Wants to Be a Millionaire?”  Click here to find out what time it is showing in your area. In my neck of the woods, it’s on at 2:30pm and 4pm.

Last year my friend Jill Ensley convinced me that it was worth getting off work early to drive up to a car dealership in Kansas City and try out for “Who Wants to be a Millionaire.” At first, I thought she was crazy, because I really don’t know enough general trivia to get on that show. (This was proved when I didn’t pass the regular test later that afternoon.) But then she told me they were also testing for Millionaire Movie Week, where all the questions would be about movies. That changed everything.

Long story short– My boss Kim let me off work early (thank you!), I went to KC, passed the movie test, and here I am today. Or, there I was in the Hot Seat in October of last year, rather. I’ve been silent about what happened on the show, but I can’t wait for my friends and family to see it so that I have no more secrets to keep. Meredith was amazing. She was totally encouraging and everyone who works on the show were awesome as well– they really want you to win tons of cash. I met a whole batch of cool movie-geek contestants, and had a great time.

More later…

2/20/08

Video Clips:

Start this video at 2:00 in to see one question right, then my ultimate downfall.

Watch Meredith read the question that tripped me up here.

Okay, so I’m not a millionaire. But I’ll take being a $25,000-aire any day. I kept telling myself over and over that I wouldn’t risk anything unless I was absolutely sure, and yet, there I was, risking huge amounts of money while trying to hold on to lifelines for later. I guess that’s why they call it a “game” show. It wouldn’t have been fun to watch someone guess everything right away and then stop when he didn’t know them anymore. Those third tier questions are designed to make you think and rethink and sweat and think some more.

One thing I noticed, but not nearly as much as when I was sitting in the Hot Seat, was how dry my mouth was. I was drinking lots of water backstage to try and compensate for it, but my mouth was dry as hell. Sometimes the body just reacts to things a certain way, and nothing I could do mentally seemed to control it. My lips were sticking to my teeth and I was licking them and moving them around and making weird faces.

The other thing I noticed is when Meredith told me I won $50,000 after a long, protracted battle with myself (where I pictured Alfred Molina in a snow speeder on Hoth fighting Imperial walkers), I went a little nuts. She did that disappointed “awww” thing to sink my spirits for just a second and then told me I was right. I screamed like a little girl and put my hands on my head. That was funny.

Meredith was hilarious. She’s so good at being charming and keeping everything moving. When the 50/50 thing didn’t go my way, she insisted (like the producers earlier) that it was a random computer program, and when the audience groaned, her reaction was very funny. She even did the “rock fist up” and the “Swiss fist” with me! She’s 100 percent on the contestant’s side, but when I was weighing my decision to go for $100,000, she egged me on there as well. She knows how to squeeze the most amount of tension out of these situations. I was worked up just watching it again, and I already knew what happened.

What a surreal exerience this whole thing has been. You have to embrace how strange life is, I think. Standing in my ripped up Chuck Taylors and shorts while sharing an elevator once with Celine Dion’s husband (René!) who was dressed to the nines and serious as a heart attack was so funny, I was giggling while he was still standing next to me. On one side, a multi-millionaire. The other, a scrubby kid who lives out of a van.

Opening for Miguel Ferrer and Ed Begley, Jr.’s rock band in Santa Monica during the grunge explosion of the early 90s was so exciting, that backstage I forgot what a bottle opener was. Thanks to my good pal Miguel, I had an open bottle of beer in no time. Most celeb sightings and stories I hear are about big stars and the like. I mean, I just interviewed Will Ferrell two weeks ago. But how many people can say that they opened up for a band fronted by a “Twin Peaks” cast member and the drummer for Spinal Tap?

Sitting on the set of a game show with dramatic sound effects, roving spotlights and cameras, and an audience that’s building up your confidence and cheering you on to act like a bigger and bigger imbecile ranks right up there with those surreal experiences. Getting the show’s host to make silly hand gestures that you made up with your friend one day in your living room is priceless.

What’s even more bizarre is that, when it was all over and I got my TV-sized fake check (they give you the one with your name and a million dollars on it, too, just for posterity), I was suddenly on a sidewalk in New York City, outisde the ABC studios, looking at Central Park. All my friends in NY were still at work, so I strolled on over there and spent the next hour and a half just walking around with a big grin on my face knowing that life had just thrown me another wild curveball. And why not?

It’s a good thing I decided to ask my boss if I could leave early that day in July last year.

Tags: a, be, contestant, diary, eric, melin, millionaire, movie, netflix, to, wants, week, who