Most people can skip Roar, but if the confusing anomalies of cinema draw you in like a magnet, then you must see Noel Marshall’s cinematic madness on the big screen.
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Most people can skip Roar, but if the confusing anomalies of cinema draw you in like a magnet, then you must see Noel Marshall’s cinematic madness on the big screen.
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A brief interview with Terry Albright, who worked on the set of the most dangerous movie ever made, “Roar.”
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