Look out kids, here comes summer. A few months back, in desperation for some warm weather, I did a list of Top 10 Hot Movies. In anticipation of a little fun in the sun and some time in a few highly chlorinated, probably recently peed-in public swimming pools here is my list of Top 10 Movies From the Deep: films that take place primarily in, on or under large bodies of water. This is just a favorites list, there are some films that I would defend until my face is blue and then there’s “Deep Blue Sea.” Some of you, with wicked supreme old school monster-movie backgrounds, may be able to enlighten us with some requisite water monster classics, and I’m sure more than a few of you have a number of older films in your pocket that I’m missing - take for instance “20,000 Leagues Under the Sea,” which I haven’t seen since I was a kid. I’m sure we’re due for a “20,000 Leagues” remake any second now, but in the meantime, here are my current favorite Movies From the Deep.

10. Ghosts of the Abyss (2003)

There is no way “Titanic” was going to make this list, however the follow-up documentary which James “King of the World” Cameron made, post his bloated Celine Dion-themed behemoth, was actually quite interesting. The film was narrated by Bill Paxton (who also starred in “Titanic”), and Cameron and co. developed new underwater filming technologies to bring the wreckage of the Titanic to life in 3D. The mysteries of this famous shipwreck are far more illuminating from a historical perspective, minus all the sappy ridiculousness that Cameron poured so copiously all over his Oscar-winning smash-hit.

Old Rose: 1,500 people went into the sea… when Titanic sank from under us… there were twenty boats floating nearby… and only one came back. Six were saved from the water… myself included. *Six*. Out of 1,500. Afterward, the 700 people in the boats had nothing to do but wait… wait to die… wait to live… wait for an absolution… that would never come.

9. Deep Blue Sea (1999)

THIS IS A TERRIBLE MOVIE! However, sometimes unintentional humor, sharks, and LL Cool J all mixed together makes for high-end entertainment. Seriously, I can’t defend this film. I would try, but I swear I get a kick out of it because it is so over the top. Directer Renny Harlin is known as much for his big-budget action stinkers as the few (ie: “Cliffhanger” and “Die Hard 2″) that aren’t so bad. I base a great deal of my appreciation of this truly bad-is-good film on the monologue sequence where Samuel L. Jackson gives a tough-as-nails speech about how their going to make it out of the situation and then gets promptly swallowed up like an hors d’oeuvres by a problem-solving Mako shark. The rest of it I blame on LL Cool J.

Russell Franklin: So here’s the riddle. What does an eight thousand pound mako shark with a brain the size of a flat head V8 engine and no natural predators think about?
Carter Blake: Well, I’m not waiting around here to find out!

8. The Life Aquatic with Steve Zissou (2004)

There are few actors who experience a redefinition quite like Bill Murray has in the last decade. From “The Royal Tenenbaums” to “Broken Flowers” to “Lost in Translation” and “Rushmore,” Murray has charted a new course in his work that few actors are capable of or willing to attempt. Wes Anderson’s “The Life Aquatic with Steve Zissou” is easily his least accessible film to date with regards to characters and story, but it remains thoroughly intriguing. From an art direction standpoint, the scenes in this film that take place on a doll house-like, cutaway set of the ship, are on par with visionary filmmakers like Michel Gondry and Tim Burton’s finest moments.

Ned Plimpton: I’m gonna fight you, Steve.
Steve Zissou: You never say, “I’m gonna fight you, Steve.” You just smile and act natural, and then you sucker-punch him.
Ned Plimpton: You fight your way, and I’ll fight mine.
Steve Zissou: Oh, listen, Ned. Don’t you try to…
Steve Zissou: I think your Team Zissou ring might’ve caught me on the lip.

7. Lady in the Water (2006)

This film got a bad rap. Quite possibly because M. Night Shyamalan cast himself as the man who will save the world, but more likely because the film was fundamentally misunderstood - it is a fairy tale. I believe now, as I did when I first watched the film in the theater, that viewed through that lens it is a clever and enjoyable ride with yet another fabulous performance from Paul Giamatti. The girl comes through a swimming pool from a water world below, so technically this counts.

Cleveland Heep: H-how was the movie?
Harry Farber: Sucked
Cleveland Heep: Oh… what a shame.
Harry Farber: Characters were walking around, saying their thoughts out loud. Who does that? And in a typical romance where the couple finally tell each other they love one another in the rain. Why does everyonelike to stand around and talk in the rain in movies?
Cleveland Heep: Um… well maybe it’s a metaphor for purification; starting new.
Harry Farber: No, it’s not!

6. Cast Away (2000)

This one is the most debatable entry on the From the Deep list, but quite a bit of the film takes place on the ocean. The scenes with Hanks barely escaping a dramatic plane crash, or lying lifeless on what’s left of a makeshift raft being gently prodded by handy whales constitute a film primarily on or entirely surrounded by water. If you’ve ever been overcome by work and stress and given in to the desire to escape to a deserted island in your mind, this film will make you think twice about your aspirations to become Robinson Caruso.

Chuck Noland: We might just make it. Did that thought ever cross your brain? Well regardless I would rather take my chance out there on the ocean, that to stay here and die on this shithole island spending the rest of my life talking to a god damn VOLLEYBALL.

5. Master and Commander: The Far Side of the World (2003)

Despite the presence and star power of Russell Crowe, Austrailian director Peter Weir’s (”Dead Poets Society”) epic about sea captain Jack Aubrey didn’t exactly set any new box office records in 2003. It did, however, garner Weir a Best Director nomination and a Best Picture nomination for the film shot almost entirely on the water. Crowe and co-star Paul Bettany anchor the film with solid performances and obvious chemistry, and the ship-to-ship battle sequences are a thing of wonder.

Capt. Jack Aubrey: I respect your right to disagree with me, but I can only afford one rebel on this ship. I hate it when you talk of the service in this way. It makes me feel so very low. You think I want to flog Nagle? A man who hacked the ropes that sent his mate to his death? Under MY orders? Do you not see? The only things that keep this wooden world together are hard work…
Dr. Stephen Maturin: Jack, the man failed to salute. There’s hierarchies even in nature. There is no disdain in nature. There is no…
Capt. Jack Aubrey: Men must be governed! Often not wisely, but governed nonetheless.
Dr. Stephen Maturin: That’s the excuse of every tyrant in history, from Nero to Bonaparte. I, for one, am opposed to authority. It is an egg of misery and opression.
Capt. Jack Aubrey: You’ve come to the wrong shop for anarchy, brother.

4. Crimson Tide (1995)

One of the two submarine films on the list - the one still to come has the better story - but, “Crimson Tide” has better dialogue. Supposedly script-doctored by Quentin Tarantino, “Tide” is a claustrophobic, mutinous adventure with rapid fire dialogue and plot twists that make it one of my favorite military films of all time. Gene Hackman and Denzel Washington are phenomenal bouncing off one another and, if I’m not mistaken, this was my first proper introduction to both Aragorn (Viggo Mortenson) and Tony Soprano (James Gandolfini).

Capt. Ramsey: You do qualify your remarks. If someone asked me if we should bomb Japan, a simple “Yes.” By all means sir, drop that fucker, twice! I don’t mean to suggest that you’re indecisive, Mr Hunter. Not at all. Just, uh… complicated. ‘course, that’s the way the Navy wants you. Me, they wanted simple.
Hunter: Well, you certainly fooled them, sir.
Capt. Ramsey: Be careful there, Mr Hunter. It’s all I’ve got to rely on, being a simple-minded son of a bitch. Rickover gave me my command, a checklist, a target and a button to push. All I gotta know is how to push it, they tell me when. They seem to want you to know why.
Hunter: I would hope they’d want us all to know why, sir.

3. The Abyss (1989)

James Cameron makes his second appearance on the list at spot number three with “The Abyss.” I remember watching a “making of ” on HBO or Cinemax in high school and thinking, maybe for the first time, about what it would take to shoot a film like “The Abyss.” Special masks were engineered so the actor’s faces would be recognizable during underwater dialogue sequences, they flooded parking lots and built a set inside a grain silo which was then filled with water covered with black beads on the surface to block out all light. I recommend the extended edition of the film with a few extra minutes of the alien plotline that was left out of the theatrical version.

Ensign Monk: Bud, give me a reading from your liquid oxygen gauge.
Virgil: 5 minuts worth
Lindsey Brigman: What?
Alan “Hippy” Carnes: It took him *thirty* minutes just to get down there!
Lindsey Brigman: Bud! Do you hear me? You drop your weights and start back now, Bud. The gauge could be wrong. Do you hear me? Just drop your weights and start back now. The gauge could be wrong! The gauge could be wrong, you drop your weights and start back now!
Virgil: Going to stay awhile

2. The Hunt For Red October (1990)

This is by far the best of the Jack Ryan films based on the novels by Tom Clancy. Unfortunately, “October” star Alec Baldwin chose not to reprise his role as Ryan in future films, turning the part over to Harrison Ford for a few decent films (”Patriot Games” and “Clear and Present Danger”) - and then there was the Affleck incident. The ensemble cast is amazing, with far too many names to list here. The story is top notch, Baldwin and Sean Connery both turn in career-best performances and director John McTiernan of “Die Hard” fame brought it all together into one cohesive action-adventure thriller from the depths. Playing chicken with nuclear submarines is usually going to add some tension.

Jack Ryan: Has he made any Crazy Ivans?
Capt. Bart Mancuso: What difference does that make?
Jack Ryan: Because his next one is going to be to starboard.
Capt. Bart Mancuso: Why? Because his last was to port?
Jack Ryan: No. Because he always goes to starboard in the bottom half of the hour.

1. Jaws (1975)

This is the one that started it all. “Jaws” is the prototype summer blockbuster and the ultimate motivation for an almost genetic fear of all things moving in the deep - which many people, including myself, are entirely familiar with. Even the long list of tragically flawed ‘films from the deep’ that “Jaws” spawned - which include “Alligator,” “Lake Placid,” “Orca,” “Leviathan,” and many, many more - can’t undo the magnificence of Steven Spielberg’s breakout feature. It’s a movie that was so affecting that it put a permanent hex on sharks, the same way the Garden of Eden story has besmirched the reputation of snakes for centuries.

Hooper: Mr. Vaughn, what we are dealing with here is a perfect engine, an eating machine. It’s really a miracle of evolution. All this machine does is swim and eat and make little sharks, and that’s all. Now, why don’t you take a long, close look at this sign.
Hooper: Those proportions are correct.
Mayor Vaughn: Love to prove that, wouldn’t ya? Get your name into the National Geographic.

Tags: Cast Away, Crimson Tide, Deep Blue Sea, Ghosts of the Abyss, Jaws, Lady in the Water, Master and Commander, The Abyss, The Hunt for Red October, The Life Aquatic with Steve Zissou, Tom Clancy, tom hanks

You’ve had a week to mull over Eric’s “Director’s Cut” picks for “Top 10 Movies that Prove the Future Will Suck” so, now its my turn to dust off my previous list and make a few adjustments. Since Eric excluded the marvelous “Children of Men” from his updated list, I have also omitted it from mine, even though it certainly belongs in the mix. I also made a few necessary course corrections, including removing “Alien” from my original list and replacing it with “Serenity,” Joss Whedon’s superb feature film continuation of the television series “Firefly.” So get in touch with your big brother paranoia and strap on your pressure suits boys and girls and lets all have a stroll through the dismal future that just may come to pass.

10. Reign of Fire (2002)

Yeah that’s right, I went there. Few films justify a six-pack of cheap beer and an obscene surround sound system quite like “Reign of Fire.” I, for one, just plain love dragons, can’t help it. Now- it’s not likely dragons will soon be rediscovered after having camped out, dormant for centuries, in an English mine shaft, salivating gasoline and waiting for their chance to break free– but if they did, that future would be less than rosy. Catastrophic disaster pics are usually suspect for one reason or another, and “Reign of Fire” is no exception. I will defend it exclusively on the explosive auditory work and the aforementioned dragons.

Denton Van Zan ‘Dragon Slayer’: You see they have great vision during the day, and even better vision at night. But in the failing light, they can’t focus. Magic hour.

9. Star Trek IV: The Voyage Home (1986)

There are many arguments to be made that this film is tragically flawed, but I love it anyway. The plot device is true science fiction and actually pretty sweet. “The Voyage Home” finds our intergallactic heroes Kirk and company in modern day San Francisco - thanks in large part to the fact that “Home’s” original script was developed to co-star Trek-fan Eddie Murphy, who eventually backed out to do “The Golden Child.” On par with gritty futuristic concepts like that of “Children of Men,” “Home’s” premise is that humans have been such terrifically bad stewards of the planet Earth that we’ve managed to kill off a single species (humpback whales) who turn out to be crucial to our eventual survival. Of course, a killer premise isn’t everything and is entirely dependent of the execution, which, in this case, is lacking. Despite the heavy cheese factor, however, this remains one of my favorite of the original cast “Star Trek” pics and I stand by my claim that the story is rather clever if you can muster up a forgiving mood.

Spock: They like you very much, but they are not the hell “your” whales.
Dr. Gillian Taylor: I suppose they told you that.
Spock: The hell they did.

8. Serenity (2005)

One of my favorite things about Joss Whedon’s conception of the future in his brilliant, but short-lived western-series-in-space “Firefly” and subsequent feature film continuation “Serenity,” is that there are no aliens. Whedon has dreamed up a fate for humans in which we successfully colonize space, but haven’t made contact with any alien life. In this version of the future, the humans prove that in the space travel years, it looks like we’re going to need several languages and a whole bunch of planets to make a proper mess of things in the ‘verse.

Capt. Malcolm Reynolds: You all wanna be looking very intently at your own belly buttons. I see a head start to rise, violence is going to ensue. Probably guessed we mean to be thieving here but what we’re after is not yours. So, let’s have no undue fussing.

7. Blade Runner (1982)

Has anyone got an accurate count on how many versions of this thing Warner Brothers has released since the advent of the DVD? Ridley Scott’s classic futuristic thriller doesn’t get less good with time, just harder to sit through. For starters, you have to decide which version best represents Scott’s definitive vision. “Blade Runner” remains easily one of Harrison Ford’s most interesting roles and a genuine science-fiction noir with indelible imagery that continues to set a standard for the sci-fi genre. A future with replicants sounds scary, sure, but better that than a future filled with nothing but Sean Young films.

Deckard: They don’t advertise for killers in the newspaper. That was my profession. Ex-cop. Ex-blade runner. Ex-killer.

6. The Matrix (1999)

Before the Wachowskis went and screwed this whole thing up with two unnecessary and extraordinarily disappointing sequels, “The Matrix” was absolutely revolutionary in its contribution to modern filmmaking. And like “Highlander” and “The Terminator,” it represented truly original storytelling in the sci-fi realm. Taken on its own in some revisionist reduction to a single film, “The Matrix” continues to stand up as one of the better movies of the genre.

Morpheus: Throughout human history, we have been dependent on machines to survive. Fate, it seems, is not without a sense of irony.

5. 12 Monkeys (1995)

Big Brother is watching and Terry Gilliam knows it. This film gets overlooked when people think of top-notch science-fiction films, which is a shame. Gilliam has a remarkably interesting and singular aesthetic that works beautifully in this complex and non-linear thriller about one man’s struggle to subvert a past, present, and future bio-chemical holocaust. The creepy interrogation scenes and the shots of Willis navigating snow-covered and barren cities are incredibly memorable, as are the performances of both lead actor Bruce Willis and Brad Pitt, who received a Best Supporting Actor Oscar nomination for his role as Jeffery Goines.

Jeffrey Goines: You know what crazy is? Crazy is majority rules. Take germs, for example.
James Cole: Germs?
Jeffrey Goines: Uh-huh. In the eighteenth century, no such thing, nada, nothing. No one ever imagined such a thing. No sane person, anyway. Ah! Ah! Along comes this doctor, uh, uh, uh, Semmelweis, Semmelweis.

4. AI: Artificial Intelligence (2002)

If director Steven Spielberg had cast anyone other than Robin Williams for voice-work and then left the kid and the audience at the bottom of the ocean, I would have said this blend of Kubrick and Speilberg was one of the finest pieces of sci-fi ever. In spite those hobbling choices, though, there is still plenty to like about “A.I.,” and it most definitely presents an ill picture of the future and a less than triumphant end to humanity. The philosophical aspects of the story are it’s strongest elements and, years later, remain absolutely haunting.

David: What’s for dinner tonight?
Monica: You know you don’t eat.
David: Yes. But I like sitting at the table.

3. The Abyss (1989)

While Jim Cameron’s “The Abyss” wasn’t set in the future, the films big plot twist - and the majority of what was cut out of the theatrical ending - was that aliens had been observing us and decided it would be favorable to destroy us before we destroyed the planet. Next to “Close Encounters of the Third Kind” I think “The Abyss” represents one of the great notions about a first contact with extraterrestrials. For an even more dramatic take on alien intervention in human affairs, pick up a copy of Arthur C. Clarke’s “Childhood’s End.” Between these two science fiction masterworks, you’ll be up nights wondering who out there is watching and more than likely thinking we aren’t doing such a swell job minding the store.

Alan “Hippy” Carnes: What is all this stuff?
Ensign Monk: Fluid breathing system, we just got it. You use it when you go really deep.
Alan “Hippy” Carnes: How deep?
Ensign Monk: Deep.
Alan “Hippy” Carnes: HOW deep?
Ensign Monk: It’s classified.

2. Gattaca (1997)

While it borrows aspects of its premise rather blatantly from Aldous Huxley’s “Brave New World,” “Gattaca” is a high watermark for the genre and one of my favorite futuristic flicks. New Zealand director Andrew Niccol (”Lord of War”) still has yet to outdo this film, his directorial debut, in which he makes masterful use of washes of color to create a highly stylized view of a genetically altered future. Stellar performances from Ethan Hawke and a then-unknown Jude Law give “Gattaca” exceptional depth and substance. As genetic engineering becomes a reality in the 21st Century, it is possible that the stratification of humans described in “Gattaca” will prove to be eerily prophetic.

Vincent: I was never more certain of how far away I was from my goal than when I was standing right beside it.

1. Minority Report (2002)

Stephen Spielberg’s vision of the not-so distant future is just what the doctor ordered to make you feel nice and queasy about where were heading. Thanks to a trio of pre-cognitive beings, law enforcement is able to launch a program that convicts and sentences people for crimes that haven’t yet been committed - now if that’s not a hot-shit foundation for a sci-fi classic, I don’t know what is. Not so surprisingly, “Minority Report” is based on a short story by the legendary novelist Phillip K. Dick (”Do Androids Dream of Electric Sheep?,” which became “Blade Runner”), and once again Spielberg does a bang-up job creating extraordinary movie magic in the form of a fascinating and believable future world.

John Anderton: Mr. Marks, by mandate of the District of Columbia Precrime Division, I’m placing you under arrest for the future murder of Sarah Marks and Donald Dubin that was to take place today, April 22 at 0800 hours and four minutes.

Tags: 12 Monkeys, AI: Artificial Intelligence, blade runner, Firefly, Gattaca, Joss Whedon, Minority Report, Reign of Fire, Serenity, Star Trek, Star Trek IV, The Abyss, The Matrix, The Voyage Home