2/12 UPDATE post with more video here– Phoenix on Letterman, rap performance
OK, I don’t know if the little amount of text I’m actually going to write for this blog justifies its own entry, but this is just too bizarre.
You read the headline correctly. Casey Affleck is directing a documentary that follows Joaquin Phoenix’s self-imposed retirement from acting to pursue a career as a rapper. Today in Las Vegas, Phoenix is making his debut performance as a rap singer. Affleck’s cameras sart rolling today. Sean “Diddy” Combs will reportedly produce the documentary.
What I can’t tell is if this is a joke or not. It could be the most elaborate put-on in the short history of the mockumentary genre. If Phoenix played a rapper like Sacha Baron Cohen plays Borat, everybody would recognize him and know it’s a joke. But if the actor plays himself pretending to want to be a rapper, everyone is forced to believe it and the illusion can then be successfully mined for laughs. It could be an Andy Kaufman-style hoax; one that Phoenix has been working on since he announced his retirement back in October.
Even in this video where he announces his retirement, it kinda looks like Affleck and Phoenix are acting for the camera. The interviewer doesn’t even believe him. Could be a set-up for the movie!
Andy Kaufman’s wrestling antics were all pre-planned hoaxes. See him on “Letterman” above.
It has to be a hoax for the sake of a funny movie, because otherwise why would Affleck think that this is anything worth filming? If it is for real, and it’s a disaster (and Affleck is counting on this for his movie), then he’s going to mine Phoenix’s misery, and that wouldn’t be cool for two friends. (Casey is married to Joaquin’s sister Summer Phoenix.)
Then, there is the other possibility: Joaquin Phoenix, the man who earned an Oscar nomination playing Johnny Cash (and singing his songs in the movie), is a bad-ass, talented rap artist. It’s just that nobody knows it yet. Wow. Really?
UPDATE: Here is video of Phoenix’s performance in Vegas, which seems to confirm my suspicions. You heard it here. I called it first! Not sure what they were thinking; it’s too hard to get away with hoaxes like this if you’re also using your celebrity. That’s why Sacha Baron Cohen is in disguise. Kaufman did it, I suppose, but his stuff was slightly more in character for what people expected of him than Phoenix rapping. Also, media was not nearly as advanced and immediate in the 80s.
Tags: album, career, casey Affleck, chronicling, direct, documentary, hoax, Joaquin Phoenix, mockumentary, music, rap, rapper, release, singer, to
The Holocaust took a horrific human toll in both casualties and emotional scars that will last forever. Two movies coming out this Oscar season (and a third—“Defiance”—next month) are haunted by the spectre of this shameful event, although each takes a very different approach.
“Valkyrie” recounts the true story of two attempts by German officers to assassinate Adolf Hitler during World War II, specifically the plots headed by Claus von Stauffenberg. One of the biggest problems of “Valkyrie” is that there is hardly a whiff of German culture to be found. First weirdness: American-accented Tom Cruise plays a man named von Stauffenberg. Second weirdness: British actors Bill Nighy, Tom Wilkinson, Kenneth Branagh, and Terence Stamp, who play other Germans, all have European accents. The notion that Cruise and his fellow officers are against Hitler isn’t hard to swallow, but a little bit of perspective and character would have been nice.
Instead, director Bryan Singer (“X-Men,” ”The Usual Suspects”) approaches this sensitive material as a strict procedural. It’s almost as if we are joining part two of a miniseries already in progress: “After the attack on Poland in 1939 offended his conscience and his deeply held religious convictions, and the 1941 Russian invasion produced hideous mass executions, von Stauffenberg’s resistance against Hitler becomes a pact with others who also believe the Führer is seriously deficient in military leadership.” Of course, I learned that online and not from the movie.
World War II and its moral ambiguities are merely the backdrop for an inconsistent suspense plot about the planning and implementation of these unsuccessful attempts. It is interesting to learn about the German Resistance, but “Valkyrie” offers nothing in the way of context; nothing more than a History Channel documentary or an “Unsolved Mysteries” re-enactment might offer. There are no political or ideological distinctions between these men other than to what degree they are willing to risk their own lives to overthrow Hitler. Although Singer does manage to pull off a couple pretty tense situations, “Valkyrie” is a pretty stiff and unemotional affair.
Click here to read Part Two, a review of “The Reader.”















